Zeeshan Khan Rokhri's ' "Maara Howay Yaar" was released on its scheduled release date, 2015. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 4 out of 7 in Asan Musafir by Zeeshan Khan Rokhri. Going off of the ISRC code of this track, we detected that the origin of this track is from Pakistan. In terms of popularity, Maara Howay Yaar is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Maara Howay Yaar by Zeeshan Khan Rokhri is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karan Main Nazara | Amir Ali | B♭ Major | 4 | 6B | 158 BPM | ||
| Pardasi | Tahir Nayyar | D♭ Minor | 9 | 12A | 95 BPM | ||
| Tere Ishq Da Rang | Sufi-Punjabi | F Major | 8 | 7B | 98 BPM | ||
| Aik Tu Howain | Shafa Ullah Khan Rokhri | B Minor | 6 | 10A | 150 BPM | ||
| Sochaan Wich Too | Zeeshan Khan Rokhri | D♭ Minor | 6 | 12A | 102 BPM | ||
| Hasya Nai Main | Zeeshan Khan Rokhri | B Minor | 9 | 10A | 115 BPM | ||
| Vay Mahi | Zeeshan Khan Rokhri | F♯ Minor | 9 | 11A | 100 BPM | ||
| Ali Ali Hosi | Ali Sher Hakim | D♭ Minor | 7 | 12A | 90 BPM | ||
| Janey Wala Sanp Tha | Saqlain Musakhelvi | F Major | 8 | 7B | 92 BPM | ||
| Unke Andaaz e Karam | Osaf Fateh Ali Khan | E♭ Minor | 5 | 2A | 145 BPM | ||
| Pagal jhalle | Kanth Kaler | C Minor | 7 | 5A | 172 BPM | ||
| Magazina | Mazhar Rahi | F♯ Minor | 8 | 11A | 92 BPM | ||
| Maaye Dil Nai Lagda | Ahtsham Aslam | B Minor | 3 | 10A | 111 BPM | ||
| Sonay Di Churi | Shafullah Khan Rokhrhi | D Major | 5 | 10B | 123 BPM | ||
| Dhola Sanu Pyar Diyan | Afshan Zaibe | E♭ Minor | 5 | 2A | 103 BPM | ||
| Dil More Day | Zahoor Ahmad Lohar | F Major | 6 | 7B | 105 BPM | ||
| Kali Kameez Wala | Naeem Hazarvi | D♭ Major | 9 | 3B | 100 BPM | ||
| Woh Bhi Apne Na Hue | Khan Saab | D♭ Major | 6 | 3B | 88 BPM | ||
| Jaan Jaan Kehnda E - Traditional Mix | Zulekha, Dee the Producer | E♭ Minor | 5 | 2A | 148 BPM | ||
| Motorway | TAHIR ABBAS | D♭ Major | 6 | 3B | 170 BPM | ||
| Okhay Painday | Sain Zahoor Ahmed | C Minor | 7 | 5A | 152 BPM | ||
| Mar Ve Sain | Zeeshan Khan Rokhri | B♭ Minor | 9 | 3A | 94 BPM | ||
| Mujhe Tum Se Koi Gila Nahi | Muhammad Nawaz Bhutta | B Major | 9 | 1B | 118 BPM | ||
| Jogia Meda Kam Kar De | Zeeshan Rokhri | D Minor | 10 | 7A | 90 BPM | ||
| Gujran Naal La Yaari | Malkoo, Jiya Rao | A♭ Major | 9 | 4B | 112 BPM |