"April In Paris" by Billie Holiday had its release date on 1959. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 12 in All Or Nothing At All by Billie Holiday. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. April In Paris is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of April In Paris by Billie Holiday is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J'ai Deux Amours | Madeleine Peyroux | C Major | 2 | 8B | 86 BPM | ||
| Cry Me A River | Dinah Washington | F Minor | 2 | 4A | 100 BPM | ||
| It Never Entered My Mind | Miles Davis Quintet | A♭ Major | 2 | 4B | 116 BPM | ||
| Time After Time - Vocal Version | Chet Baker | C Major | 0 | 8B | 100 BPM | ||
| A Beautiful Friendship | Susannah McCorkle | A Minor | 1 | 8A | 110 BPM | ||
| Words Can't Describe | Sarah Vaughan | D♭ Major | 1 | 3B | 66 BPM | ||
| Embraceable You - 1940 Single Version | Judy Garland | D♭ Major | 2 | 3B | 100 BPM | ||
| Break It To Me Gently | Brenda Lee | C Minor | 3 | 5A | 92 BPM | ||
| He's My Guy | Sarah Vaughan, Clifford Brown | B♭ Major | 3 | 6B | 133 BPM | ||
| Just Like Heaven | Kat Edmonson | F Minor | 2 | 4A | 131 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| I've Got You Under My Skin | Rosemary Clooney | A♭ Major | 2 | 4B | 136 BPM | ||
| Verlaine - Remasterisé en 2017 | Charles Trenet | E♭ Major | 3 | 5B | 93 BPM | ||
| Fin De L'Affaire - 1998 - Remaster | Hank Mobley | F Minor | 1 | 4A | 124 BPM | ||
| Solitude - Live | Helen Merrill | D♭ Major | 2 | 3B | 134 BPM | ||
| Vous M'Eblouissez (You Go To My Head) | Helen Merrill | B♭ Major | 0 | 6B | 103 BPM | ||
| I'll Be Seeing You | Cyrille Aimee, Michael Valeanu | F Minor | 0 | 4A | 90 BPM | ||
| (I Love You) For Sentimental Reasons | Nat King Cole | D♭ Major | 0 | 3B | 68 BPM | ||
| Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
| More - Remastered 2004 | Bobby Darin | F Minor | 5 | 4A | 152 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| Trav'lin' Light | Jimmy Mundy, James Trummy Young, Billie Holiday, Paul Whiteman & His Orchestra, Paul Whiteman | C Minor | 1 | 5A | 126 BPM | ||
| Easy Living | Bob Howard | A♭ Major | 1 | 4B | 137 BPM | ||
| (She's Got The) Blues For Sale | Billy Eckstine | B♭ Major | 2 | 6B | 135 BPM | ||
| My Foolish Heart | Bill Evans Trio | A Major | 1 | 11B | 115 BPM |