"7 malice E" by KOHTA YAMAMOTO had its release date on July 17, 2025. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 7 malice E's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Seven Deadly Sins: Grudge of Edinburgh (Soundtrack from the Netflix Film)". In this album, this song's track order is #6. In terms of popularity, 7 malice E is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 malice E by KOHTA YAMAMOTO having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To The Evil's Cathadral | NCSOUND | D♭ Minor | 8 | 12A | 65 BPM | ||
| Cutting Ties | Tiago Rodrigues | B♭ Minor | 7 | 3A | 110 BPM | ||
| 近界民 (ネイバー) の驚異 | Kenji Kawai | D Minor | 2 | 7A | 120 BPM | ||
| スフィンクス戦 | 木村華 | E Minor | 5 | 9A | 75 BPM | ||
| Hyperion | KOHTA YAMAMOTO | G Minor | 0 | 6A | 60 BPM | ||
| 昨天的我 | 健康合作社 | B♭ Minor | 3 | 3A | 118 BPM | ||
| As Night Dwells - Instrumental | The Misty Corvus | F♯ Minor | 3 | 11A | 110 BPM | ||
| 降星 | Kohei Tanaka | D♭ Minor | 6 | 12A | 90 BPM | ||
| Apocalyptic Divine Evil | Bill Brown | D♭ Major | 7 | 3B | 150 BPM | ||
| 破滅後の世界 | Asami Tachibana | A Major | 2 | 11B | 87 BPM | ||
| The Expansion End Titles | Thorwald Odin | C Minor | 2 | 5A | 60 BPM | ||
| White Fatalis' Theme | Ethan Yang | E Minor | 8 | 9A | 100 BPM | ||
| Source of All Evil | Path to Nowhere | E Minor | 6 | 9A | 142 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM | ||
| 魚雷戦用意よし | Yoshihiro Ike | D♭ Major | 4 | 3B | 65 BPM | ||
| 大火窯の大暴走 | 小倉真奈 | E Minor | 4 | 9A | 67 BPM | ||
| 道なき道の先へ | 平沼 優奈 | A♭ Major | 4 | 4B | 152 BPM | ||
| Justo Ahora | toribio | B♭ Major | 4 | 6B | 125 BPM | ||
| This Is The End - Kyle Theme | Stephen Barton | B♭ Minor | 9 | 3A | 120 BPM | ||
| 強敵との交戦 | 木村華 | D♭ Major | 6 | 3B | 138 BPM | ||
| 狂獣 | KOHTA YAMAMOTO | D Minor | 0 | 7A | 65 BPM | ||
| Exalt Them | Sān-Z, HOYO-MiX | B♭ Minor | 3 | 3A | 118 BPM | ||
| Guiding Winds | Kill La Kill | C Minor | 6 | 5A | 103 BPM | ||
| Critical Condition | Yuki Hayashi | F♯ Major | 4 | 2B | 141 BPM | ||
| 敗色 | Kenji Kawai | D♭ Major | 4 | 3B | 140 BPM |