"Last Train to Tomorrow: Sudden Love and Kindness" by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr had its release date on November 4, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 22 in Carl Davis: Last Train to Tomorrow by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Last Train to Tomorrow: Sudden Love and Kindness's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Last Train to Tomorrow: Sudden Love and Kindness by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| The Battle of Britain Suite: III. Work and Play | Ron Goodwin, Rumon Gamba, BBC Philharmonic | F Major | 1 | 7B | 60 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Wood, Henry : Fantasia on British Sea Songs : Sailor's Hornpipe [Excerpt] | Sir Henry Wood, BBC Symphony Orchestra, David Parry | A Major | 1 | 11B | 82 BPM | ||
| Gayeneh | Aram Khachaturian, Orchestra of the Royal Opera House & Covent Garden, Barry Wordsworth | B Major | 1 | 1B | 93 BPM | ||
| Alice in Wonderland, Act I: The Tea Party (Scherzo) | Carl Davis, Prague City Philharmonic Orchestra | E Minor | 2 | 9A | 136 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Water Music, Suite No. 2, HWV 349: No. 12, Alla Hornpipe | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
| Pomp And Circumstance | London Philharmonic Choir | D Major | 3 | 10B | 95 BPM | ||
| Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM | ||
| The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | F♯ Minor | 1 | 11A | 50 BPM | ||
| Arrival of the Queen of Sheba | George Frideric Handel, Budapest Strings, Béla Bánfalvi | B♭ Major | 2 | 6B | 107 BPM | ||
| Adágio Schumanniano, Op. 40 | Lohan Dietrich | E Minor | 3 | 9A | 85 BPM | ||
| Tara's Theme (From "Gone with the Wind" 1939) | Max Steiner, Itzhak Perlman, John Williams, Boston Pops Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Goldfinger (Arr. C. Egan and a. Vinter) | Andy Pask, Steve Socci, Ian Thomas, Philharmonia Orchestra, Carl Davis | D Major | 4 | 10B | 100 BPM | ||
| Finale (Brideshead Revisited) | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| War and Peace - Main Title | Jan A.P. Kaczmarek | B Major | 3 | 1B | 107 BPM | ||
| Forgotten Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 135 BPM | ||
| Riverdance, A Symphonic Suite: V. Firedance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | G Major | 3 | 9B | 96 BPM |