"King John" by The Robots had its release date on February 16, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Robots's "Hey Buddy, Dummy" album is number 10 out of 10. Based on our statistics, King John's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of King John by The Robots to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Have All the Groupies Gone? | Payback's a Bitch | E♭ Major | 6 | 5B | 125 BPM | ||
| Becoming the Enemy | American Fate | D Major | 9 | 10B | 140 BPM | ||
| Demolition Joyride | Electric Frankenstein | B Minor | 10 | 10A | 184 BPM | ||
| Storm | Underdog | D Major | 6 | 10B | 112 BPM | ||
| 285 | Biscuit Lipps | D♭ Major | 8 | 3B | 208 BPM | ||
| Scrib-Dobbin | Nervous Tick and the Zipper Lips | B♭ Minor | 9 | 3A | 174 BPM | ||
| Trapped in the Amber | Hex Dispensers | B Minor | 8 | 10A | 86 BPM | ||
| Monsters Prefer Blondes | The Bones | G Major | 9 | 9B | 123 BPM | ||
| Exit Plan | Smut Peddlers | C Major | 10 | 8B | 130 BPM | ||
| Middle Of It | The LustKillers | B Minor | 10 | 10A | 181 BPM | ||
| Where Did He Go? | The Briefs | E Major | 10 | 12B | 167 BPM | ||
| Whiskey and Failure | The Whatleys | D Major | 6 | 10B | 134 BPM | ||
| Channel Blocks | Beethoven | F♯ Minor | 7 | 11A | 132 BPM | ||
| Let It Rain | Zeke | E Major | 10 | 12B | 97 BPM | ||
| Hell Freezes Over | Underdog | D Major | 6 | 10B | 112 BPM | ||
| The Spore | Bart Carmen | B Major | 6 | 1B | 90 BPM | ||
| Oh Yeah | Ghosts of You | A Minor | 9 | 8A | 96 BPM | ||
| Pay Crumbs | Michelle Dunlop | D Major | 9 | 10B | 105 BPM | ||
| Takin' It All | Electric Frankenstein | G Minor | 10 | 6A | 155 BPM | ||
| Pet Sematary | Groovie Ghoulies | F Major | 8 | 7B | 169 BPM | ||
| We Got the Beat | Poison Idea | D Major | 10 | 10B | 161 BPM | ||
| Live to Win | The Turbo A.C.'s | E Minor | 8 | 9A | 92 BPM | ||
| Be That as It May | Marnoc, Max Dunick | A Major | 5 | 11B | 140 BPM | ||
| Witch Doctor | Zorton and the Cannibals | B Major | 9 | 1B | 83 BPM | ||
| Fall | Mark Brady | D♭ Major | 10 | 3B | 165 BPM |