"Very Scary" by Benjamin Wallfisch had its release date on August 30, 2019. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Wallfisch's "IT Chapter Two (Original Motion Picture Soundtrack)" album is number 35 out of 45. Based on our statistics, Very Scary's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Very Scary by Benjamin Wallfisch to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Blade Runner | Hans Zimmer, Benjamin Wallfisch | C Major | 3 | 8B | 109 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| 1917 | Thomas Newman | G Minor | 0 | 6A | 171 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Slytherin Common Room | J Scott Rakozy, Hogwarts Legacy | E♭ Major | 2 | 5B | 115 BPM | ||
| Hymn - Mvmt 2: Lament | Nicholas Britell | G Minor | 1 | 6A | 65 BPM | ||
| This Is What He Does | Benjamin Wallfisch | D♭ Major | 2 | 3B | 82 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| You Are Gonna Die | Marc Streitenfeld | E♭ Major | 1 | 5B | 84 BPM | ||
| The Thrombey Family Theme (Solo Piano) | Nathan Johnson | C Minor | 0 | 5A | 101 BPM | ||
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| Harpoon | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| Opening | Nicholas Hooper | G Major | 2 | 9B | 142 BPM | ||
| This Is Goodbye for Us | Dan Romer | B♭ Major | 2 | 6B | 140 BPM | ||
| Tribune Tower | Mark Isham | A Major | 1 | 11B | 91 BPM | ||
| Saying Goodbye | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Post Pie | Daniel Hart | F Major | 1 | 7B | 68 BPM | ||
| Past/Present Suite | Nicholas Britell | B Minor | 2 | 10A | 100 BPM | ||
| Tattoos | Clinton Shorter | B Major | 3 | 1B | 75 BPM | ||
| Arrival at Thornfield Hall (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | E Minor | 1 | 9A | 80 BPM | ||
| Bringing Her Home - Bonus Track | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Belief | West Dylan Thordson | B♭ Major | 3 | 6B | 66 BPM |