On February 1, 2003, the song "The Bachelor" was released by Paul Reeves. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Bachelor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 14 in Bluekey by Paul Reeves. Based on our statistics, The Bachelor's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Bachelor by Paul Reeves is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serious Liaisons | Paul Reeves | C Minor | 5 | 5A | 141 BPM | ||
| Paradigm Shift | Gavin Luke | C Major | 3 | 8B | 138 BPM | ||
| Tour Of Paris | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Messenger | Helen Jane Long | B♭ Major | 2 | 6B | 77 BPM | ||
| Les saisons | Christophe Julien | D Minor | 1 | 7A | 130 BPM | ||
| The Seaside | Samuel Sim | G Major | 1 | 9B | 50 BPM | ||
| Training Day | Debbie Wiseman | F Major | 2 | 7B | 132 BPM | ||
| Consider the Facts | Paul Reeves | G Minor | 4 | 6A | 153 BPM | ||
| Etude No 1 For String Quartet | Peter Sandberg | E Minor | 3 | 9A | 102 BPM | ||
| Our New Victrola | Golden Age Radio | B Minor | 3 | 10A | 130 BPM | ||
| Reconcile | Peter Sandberg | E Major | 1 | 12B | 106 BPM | ||
| From Small Beginnings | Paul Reeves | D Major | 2 | 10B | 130 BPM | ||
| Pipe Dreams | Brightarm Orchestra | G Major | 2 | 9B | 113 BPM | ||
| Gold among the Sand | Trevor Kowalski | C Major | 1 | 8B | 87 BPM | ||
| Doing My Job | George Fenton | A Minor | 2 | 8A | 171 BPM | ||
| Theme from "Agatha Christie's Marple" | Dominik Scherrer | F♯ Minor | 3 | 11A | 140 BPM | ||
| Perfect Horizon | Universal Production Music | G Major | 2 | 9B | 126 BPM | ||
| Dernier vol | Raphaël Beau | C Minor | 2 | 5A | 95 BPM | ||
| Frank Snoring | William Ross | C Major | 3 | 8B | 86 BPM | ||
| Un Jour a Paris | Philip Hochstrate | F Major | 2 | 7B | 180 BPM | ||
| Un Petit Baiser | Paul Reeves | E Minor | 4 | 9A | 116 BPM | ||
| Pride and Prejudice | Lisa Friend | E♭ Major | 2 | 5B | 110 BPM | ||
| Time for Tea | Adam Saunders, Mark Cousins | G Minor | 3 | 6A | 96 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| Back in the Mountains | Niki Reiser | E Minor | 3 | 9A | 89 BPM |