Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra) by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz Song Details

"Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra)" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra) by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -24.376 dB
Acousticness: 98%
Danceability: 39%
Energy: 3%
Instrumentalness: 71%
Liveness: 6%
Loudness: 59%
Speechiness: 4%
Valence: 15%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Montanelli Leaves the Prisoner's Cell	Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz	A♭ Major	0	4B	102 BPM
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The Snowstorm: VII. Wedding ceremony	Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra	E Minor	0	9A	88 BPM
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Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna	B Minor	1	10A	100 BPM
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture	Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz	C Minor	3	5A	117 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	B Minor	1	10A	71 BPM
Shostakovich: Symphony No. 1 in F Minor, Op. 10: III. Lento	Dmitri Shostakovich, Mariss Jansons, Berliner Philharmoniker	E♭ Major	1	5B	78 BPM
Carmen: Danse de Moderato non troppo - Pesante	Ernesto Halffter, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald	D♭ Major	0	3B	82 BPM
Háry János Suite: VI. Entrance of the Emperor and His Court	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	A♭ Major	2	4B	131 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace	Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit	B♭ Major	2	6B	92 BPM
Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke	Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck	D Major	1	10B	56 BPM
Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 4, Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend the Sheep	Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald	B♭ Major	1	6B	74 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	E Minor	1	9A	77 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	C Minor	0	5A	83 BPM
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction	Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar	D♭ Major	0	3B	99 BPM
Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	C Major	0	8B	63 BPM
Pines of Rome, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta	C Minor	1	5A	90 BPM
Pini di Roma, P. 141: II. Pini presso una catacomba	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	F Minor	0	4A	93 BPM
The Bed Chamber (From "The Thief of Bagdad" [1924]) [Live]	Mortimer Wilson, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald	E Minor	0	9A	78 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	C Minor	4	5A	110 BPM
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	B♭ Major	0	6B	103 BPM