"My Name Is Preston Tylk" by Kurt Kuenne had its release date on December 5, 2016. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. My Name Is Preston Tylk's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #21. Based on our statistics, My Name Is Preston Tylk's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Name Is Preston Tylk by Kurt Kuenne having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The French Lady | Daniel Pemberton | C Major | 4 | 8B | 89 BPM | ||
| A Royal Command - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 82 BPM | ||
| Marilyn's Theme | Lang Lang, Conrad Pope | F Major | 0 | 7B | 66 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| The End Of A Dream | Daniel Pemberton | E Minor | 2 | 9A | 64 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Two Brothers | Anne Dudley, The Quartet Of London | E Minor | 1 | 9A | 112 BPM | ||
| Miss Potter | Nigel Westlake | F Major | 1 | 7B | 72 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| Rêverie, CD 76 (Arr. for Marimba and Strings by Takeshi Fuse) | Claude Debussy, Mika Stoltzman, Steven Lipsitt, members of the Boston Symphony Orchestra, members of the Boston Modern Orchestra Project | A Minor | 1 | 8A | 130 BPM | ||
| The Attic | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Residential / Business (From "The Phone Book") | Kurt Kuenne | F Major | 5 | 7B | 145 BPM | ||
| Made for Each Other (From "Rent-a-Person") | Kurt Kuenne | B♭ Major | 1 | 6B | 98 BPM | ||
| March | Gareth Malone | E Major | 0 | 12B | 84 BPM | ||
| GOA II | R.Kuhn, Rüdiger Edgar Kuhn | E Minor | 2 | 9A | 59 BPM | ||
| Micol racconta | Andrea Guerra | G Major | 0 | 9B | 71 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Alive | Guy Farley | E Minor | 0 | 9A | 120 BPM | ||
| Phone Call Soliloquy - Instrumental | Terence Blanchard, Dave Grusin, Harvey Mason, John Patitucci | E Minor | 0 | 9A | 65 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Lake District | Werner Strings | A♭ Minor | 2 | 1A | 85 BPM | ||
| A Christmas Morning | Maurizio Malagnini | D Major | 2 | 10B | 82 BPM | ||
| The Crossing | Ola Gjeilo, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | F Major | 1 | 7B | 75 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| The Armstrong Case | Patrick Doyle | D Major | 0 | 10B | 98 BPM |