Raghavendra Mayya's ' "Nalina Sakha" was released on its scheduled release date, March 7, 2022. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Nalina Sakha's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Yaksha Madhurya Gayana, Vol. 1 by Raghavendra Mayya. The song's track number on the album is #10 out of 16 tracks. Based on our data, India was the country where this track was produced or recorded. Nalina Sakha is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Nalina Sakha by Raghavendra Mayya has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nalina Sakha being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Garam Garam Gammathu, Pt. 2 | Suresh Shetty, Raghavendra Mayya | E Major | 3 | 12B | 79 BPM | ||
| Arey Ghaligeyu Ninna | Vidyabhushana, H. L. Sheshachandra | F Major | 6 | 7B | 108 BPM | ||
| Enu Punyava Maadi | Roopa Shree H S | B♭ Minor | 6 | 3A | 129 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Shivakameshwari | Roopa Shree H S | B♭ Minor | 6 | 3A | 129 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Gajavadana Beduve | Bombay S. Jayashree | E Minor | 3 | 9A | 68 BPM | ||
| Dharanipatmaja | Raghavendra Mayya | E Major | 2 | 12B | 88 BPM | ||
| Sulabha Poojeya | Vidyabhushana | A♭ Major | 4 | 4B | 163 BPM | ||
| Koogidaru Dhwani Kelade | Venkatesh Kumar | B♭ Minor | 6 | 3A | 98 BPM | ||
| Thande Thayigalesto (Dhaniya Nodideno) | Mysore Ramachandrachar | E♭ Minor | 6 | 2A | 159 BPM | ||
| Pazhamuthirum | Soolamangalam Sisters | C Major | 5 | 8B | 108 BPM | ||
| Shirava | Raghavendra Mayya | B Minor | 2 | 10A | 131 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Smarisi Baalu | Ramesh Chandra | C Major | 6 | 8B | 115 BPM | ||
| Sri Devi Navaratnamalika | Bombay Sisters | B Major | 3 | 1B | 139 BPM | ||
| Uruvai Aruvai | S. R. Ram, Arul Murugu Pandian | E♭ Minor | 5 | 2A | 90 BPM | ||
| Rama Jayam Sri Ramajayam (Raamar) | P. Unnikrishnan | G Major | 6 | 9B | 90 BPM | ||
| Vetriyai Tharubavar - Language: Tamil; Genre: Ganesha | T. L. Maharajan | D Major | 5 | 10B | 89 BPM | ||
| Sri Venkatesa Prapathy | Manikka Vinayagam, Poovai Senguttuvan, R. Vijayalakshmi, R. Chitra | A♭ Major | 5 | 4B | 91 BPM | ||
| Swarnakarshna | Padmalatha | C Major | 6 | 8B | 136 BPM | ||
| Pazham Pazham | Soolamangalam Sisters | G Major | 5 | 9B | 89 BPM | ||
| Aadhiyum Andhamum | Sikkil Gurucharan | D Major | 4 | 10B | 90 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Ittalondina | Raghavendra Mayya | A Major | 3 | 11B | 108 BPM |