"Compelling Force" by Christopher Willis had its release date on February 1, 2011. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Compelling Force's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 31 in Big Screen: Dark Emotion by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Compelling Force is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Compelling Force by Christopher Willis is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brideshead Revisited: No. 4, Oxford | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | C Minor | 3 | 5A | 120 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Alaskan Summer | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| The Julia and Henry Theme | Bear McCreary | A Major | 4 | 11B | 147 BPM | ||
| Opening Titles | David Arnold | C Minor | 1 | 5A | 99 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| "Let Me Sleep" | David Julyan | B Minor | 1 | 10A | 86 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Our Finest Hour | Christopher Willis | C Major | 4 | 8B | 140 BPM | ||
| Mission Extreme - Instrumental Version | Tony Clarke, Christopher Willis | G Minor | 6 | 6A | 95 BPM | ||
| A Life Without Limitations | Amie Doherty | D♭ Major | 2 | 3B | 132 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Donwell Dancing Again | Samuel Sim | E Minor | 1 | 9A | 108 BPM | ||
| Three Steps From the Sky | Maurizio Malagnini | G Major | 2 | 9B | 201 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| The Origin of Belief | Francesco Le Metre | C Major | 0 | 8B | 112 BPM | ||
| Primaveral | J.T. Peterson | F Minor | 3 | 4A | 89 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| Trouble at the Border | Jordan Seigel | C Major | 1 | 8B | 65 BPM | ||
| Am I Your Girlfriend Now? - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | G Minor | 1 | 6A | 70 BPM | ||
| Humpback Whale | Jasha Klebe, Thomas Farnon | F Major | 4 | 7B | 127 BPM |