- BPM
- 133
- Key
- D Major
- Camelot
- 10B
Полька для танцев by Pyotr Ilyich Tchaikovsky, И. Малинина Song Details
"Полька для танцев" by Pyotr Ilyich Tchaikovsky, И. Малинина had its release date on January 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Созвездие Хитов. Классика 2, so we believe that "Полька для танцев" is a single. Based on our statistics, Полька для танцев's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Полька для танцев by Pyotr Ilyich Tchaikovsky, И. Малинина is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -14.135 dB
- Acousticness
- 91%
- Danceability
- 21%
- Energy
- 13%
- Instrumentalness
- 91%
- Liveness
- 23%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | |
 | Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | |
 | The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | |
 | Requiem: IIa. Dies irae | Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | C Minor | 4 | 5A | 88 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 2 | 6A | 110 BPM | |
 | The Sleeping Beauty, Op. 66 : Le Prologue: Marche - Entree du Roi Florestan et sa cour (Entrance of King Florestan and Court) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | A Major | 2 | 11B | 112 BPM | |
 | A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | |
 | The Sleeping Beauty, Op. 66, Act I: No. 6, Valse "Garland Dance" | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | |
 | Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | |
 | Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24) | Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra | E♭ Major | 0 | 5B | 118 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | |
 | Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | |
 | Giselle, Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 80 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Sylvia: Act III: Divertissement: Variation - Valse | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 97 BPM | |
| The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan, RIAS Kammerchor | A♭ Minor | 0 | 1A | 58 BPM | |
 | Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | |
 | Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | |
 | Souvenir de Florence, Op. 70, TH 118: II. Adagio cantabile e con moto - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | D Major | 1 | 10B | 89 BPM |
- ISRC
- QMPU51210576
- Label
- L-M Records/RCA Records