SCARLET NEXUS Sound Team's ' "What Awaits in the End" was released on its scheduled release date, June 24, 2022. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. What Awaits in the End's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "SCARLET NEXUS Original Soundtrack". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Japan. In terms of popularity, What Awaits in the End is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With What Awaits in the End by SCARLET NEXUS Sound Team having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eulogia | Hiroki Kikuta | D Minor | 6 | 7A | 154 BPM | ||
| Mega World of Battle | Masashi Hamauzu | G Minor | 8 | 6A | 128 BPM | ||
| Creeping Shadow | 来兎 | C Major | 8 | 8B | 120 BPM | ||
| Writ in Water | 矢崎 早彩 | G Major | 2 | 9B | 110 BPM | ||
| 此處唯有前路 | 塞壬唱片-MSR, 土屋裕一 | G Minor | 4 | 6A | 120 BPM | ||
| Fairfrozen - Selicy's Theme | STEEL_PLUS | B♭ Minor | 9 | 3A | 178 BPM | ||
| Fealty | Yasunori Nishiki | D Major | 7 | 10B | 132 BPM | ||
| 日向:re | 芳賀 敬太 | G Minor | 0 | 6A | 75 BPM | ||
| Ice Brain | Umegaki Runa | F♯ Major | 9 | 2B | 208 BPM | ||
| Granblue Fantasy: Relink Main Theme - Part 1 | Tsutomu Narita | F Major | 1 | 7B | 90 BPM | ||
| -[DEOXYRIBOSE]- | 崎元仁, ベイシスケイプ | A♭ Major | 9 | 4B | 149 BPM | ||
| Under the Control of ・・・ (Team Hero) | SNK SOUND TEAM | E Minor | 4 | 9A | 94 BPM | ||
| Celestial Battle | 上松範康 | A Minor | 7 | 8A | 110 BPM | ||
| Peacemaker's Wings | Stella Magna, Tsutomu Narita, Nobuo Uematsu | E♭ Minor | 9 | 2A | 103 BPM | ||
| Construction Zone (Battle) | Seibin, SHIFT UP | F Major | 7 | 7B | 160 BPM | ||
| Spark from DISSIDIA FINAL FANTASY OPERA OMNIA | Takeharu Ishimoto | E Minor | 9 | 9A | 150 BPM | ||
| 補論Ⅱ『インエフェクチュアルオブザーバー』 | 凋叶棕 | B Minor | 10 | 10A | 159 BPM | ||
| Orange Pop | Benicx | D♭ Major | 6 | 3B | 110 BPM | ||
| Nihilistic Moment - Carlos Miyamoto's Theme | Yoshiya Terayama | B Minor | 7 | 10A | 123 BPM | ||
| 厄災 -yakusAI- | Keisuke Ito | F Major | 5 | 7B | 188 BPM | ||
| 夏暁 | 柳川和樹 | D♭ Minor | 7 | 12A | 196 BPM | ||
| A Bittersweet End | はがね | E Major | 9 | 12B | 90 BPM | ||
| Entrance to Passenger Lift 161 | Muwen, SHIFT UP | A♭ Major | 7 | 4B | 158 BPM | ||
| Carrots of Happiness | 祖堅 正慶 | G Major | 8 | 9B | 90 BPM | ||
| Adventurous Inventors | Keisuke Ito | B♭ Minor | 9 | 3A | 124 BPM |