"The End" by Harry Gregson-Williams had its release date on January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Harry Gregson-Williams's "Man On Fire (Original Motion Picture Soundtrack)" album is number 27 out of 28. On top of that, United States appears to be the country where this track was created. In terms of popularity, The End is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The End by Harry Gregson-Williams to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heaven | Carlo Siliotto | E Major | 0 | 12B | 85 BPM | ||
| Take Off | Trevor Jones / Ian Green | E Major | 8 | 12B | 102 BPM | ||
| Followed | Harry Gregson-Williams | B♭ Major | 5 | 6B | 154 BPM | ||
| Not Today | Ramin Djawadi | G Minor | 1 | 6A | 98 BPM | ||
| More Human Now - Main Title Season Three | Jeff Beal | G Minor | 2 | 6A | 99 BPM | ||
| The Born King | Daniel Pemberton | D Minor | 2 | 7A | 110 BPM | ||
| Titans (From "Alexander" Soundtrack) | Vangelis | E Major | 5 | 12B | 120 BPM | ||
| Summit | Dario Marianelli | D♭ Minor | 2 | 12A | 85 BPM | ||
| I'll Never Be the Same | Roque Baños | F Minor | 4 | 4A | 116 BPM | ||
| You're Free to Go (From "Official Secrets") | Paul Hepker, Mark Kilian | E Minor | 2 | 9A | 169 BPM | ||
| Alone | Harry Gregson-Williams | B Major | 2 | 1B | 160 BPM | ||
| Ascension to the Heavens | Mark McKenzie | E Minor | 1 | 9A | 138 BPM | ||
| Becoming Human | Ryan Taubert | F♯ Minor | 4 | 11A | 140 BPM | ||
| Who We Are | Trevor Rabin | A Major | 3 | 11B | 75 BPM | ||
| Believe In Angels | Graeme Revell | E♭ Major | 1 | 5B | 67 BPM | ||
| She Electric | Tapeslave, Luiz DePalma | A♭ Minor | 9 | 1A | 128 BPM | ||
| The Drop | Harry Gregson-Williams | E♭ Major | 1 | 5B | 163 BPM | ||
| EDI's Sacrifice | BT | A♭ Major | 4 | 4B | 140 BPM | ||
| The Legend Of Tarzan | Rupert Gregson-Williams | A Minor | 4 | 8A | 95 BPM | ||
| A Good Death | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| Warlord | Antonio Pinto | A Minor | 1 | 8A | 113 BPM | ||
| Vengeance | Zack Hemsey | A♭ Major | 7 | 4B | 83 BPM | ||
| McCall's Decision | Harry Gregson-Williams | G Major | 2 | 9B | 140 BPM | ||
| The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
| It's Just Us | Federico Jusid | G Minor | 1 | 6A | 102 BPM |