"Strange Music" by John Reardon, Helena Scott had its release date on August 17, 2010. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Song Of Norway". In this album, this song's track order is #5. Strange Music is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strange Music by John Reardon, Helena Scott having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Climb Ev’ry Mountain - 1965 Original Soundtrack Version | Margery MacKay, Irwin Kostal | C Major | 3 | 8B | 92 BPM | ||
| Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
| Adelaides Lament - Remastered 2000 | Vivian Blaine | G Minor | 2 | 6A | 82 BPM | ||
| Good Morning Mp | Attie Esterhuizen, Telan Hamer, Sanda Shandu, Zolina Ngejane, Busisiwe Ngejane, Tailyn Ramsay, Conroy Scott | F Major | 2 | 7B | 80 BPM | ||
| Adams: Nixon in China: Act I, Scene 2 - "We No Longer Need Confucius." | John Adams, Edo de Waart, Orchestra of St. Luke's | D♭ Minor | 2 | 12A | 81 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Make Someone Happy | John Reardon | F Major | 3 | 7B | 90 BPM | ||
| Dance Times Square | John Reardon | C Minor | 6 | 5A | 110 BPM | ||
| Soon It's Gonna Rain | Kenneth Nelson, Rita Gardner | C Major | 1 | 8B | 104 BPM | ||
| Debussy: Lakmé, Act 1: "Fantaisie aux divins mensonges" (Gérald) | Léo Delibes, Alain Lombard, Mady Mesplé, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'Opera Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 86 BPM | ||
| You're Gonna Love Tomorrow / Love Will See Us Through - Medley | Fred Haig, Zizi Strallen, Alex Young, Adam Rhys-Charles | F♯ Major | 4 | 2B | 81 BPM | ||
| 6. And I have journey'd for a month | Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 1 | 5B | 126 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| This Nearly Was Mine | Paulo Szot | C Major | 2 | 8B | 88 BPM | ||
| Songfest: VIII. If You Can't Eat You Got To | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington | C Major | 1 | 8B | 77 BPM | ||
| Falling In Love With Love | Original Broadway Cast "Boys From Syracuse" | C Major | 3 | 8B | 80 BPM | ||
| The Deadwood Stage | Debbie Gravitte | D Major | 2 | 10B | 86 BPM | ||
| Die Schöpfung, Hob. XXI:2: Part Two: 25. Und Gott sah jedes Ding (Rezitativ) | Franz Joseph Haydn, Leonard Bernstein, New York Philharmonic | C Major | 6 | 8B | 140 BPM | ||
| Un ballo in maschera, Act II: Seguitemi - Ve', se di notte | Giuseppe Verdi, Renato Bruson, Katia Ricciarelli, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Maxim's | Leo Stein, Victor Leon, John Reardon, Franz Allers, The American Opera Society Orchestra | G Major | 2 | 9B | 85 BPM | ||
| Songfest: XII. "Israfel" | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington | C Major | 2 | 8B | 143 BPM | ||
| Happy to Keep His Dinner Warm | Bonnie Scott, Claudette Sutherland | G Major | 2 | 9B | 94 BPM | ||
| The Merry Widow: Soldier Boy | Franz Lehár, The American Opera Society Orchestra, Lisa della Casa, John Reardon, The American Opera Society Chorus, Franz Allers | C Major | 2 | 8B | 143 BPM | ||
| The Lady's Paying | Original Broadway Cast Of Sunset Boulevard, Rick Podell, Andrew Lloyd Webber, Glenn Close, Alan Campbell | G Major | 4 | 9B | 107 BPM |