On December 5, 2014, the song "When You Wake Up Tomorrow - Pray For More Remix" was released by Pray For More, Dihann Moore. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of When You Wake Up Tomorrow by Pray For More, Dihann Moore. The song's track number on the album is #2 out of 2 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, When You Wake Up Tomorrow - Pray For More Remix's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since When You Wake Up Tomorrow - Pray For More Remix by Pray For More, Dihann Moore has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With When You Wake Up Tomorrow - Pray For More Remix being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hands Together | Nando Rodriguez | E Major | 9 | 12B | 124 BPM | ||
| ROLLING | Shak Jackson | C Major | 9 | 8B | 125 BPM | ||
| Turn The Beat Around - Blacksoul Remix | Pray For More, Lois Zarculea | A♭ Major | 8 | 4B | 128 BPM | ||
| I'am All Yours - 12" Version | Excentrique Rhythms | B Minor | 7 | 10A | 120 BPM | ||
| Magic | Zsak | A♭ Minor | 9 | 1A | 122 BPM | ||
| Lost in a Daydream | Aaron John | A Minor | 3 | 8A | 125 BPM | ||
| You Are The One (Extended Mix) - Mixed | Ferreck Dawn | C Minor | 7 | 5A | 123 BPM | ||
| Go on and Shine | Timechaser | G Major | 9 | 9B | 124 BPM | ||
| On Our Way To Jericho | Club Gangland, Dbreathe, Zara Bliss | C Major | 9 | 8B | 125 BPM | ||
| Deep Inside | Marc Cotterell, Dominic Balchin | C Minor | 8 | 5A | 124 BPM | ||
| Ground Control | Deeper Sunset | G Minor | 8 | 6A | 127 BPM | ||
| You Love Me Right - Robbie Taylor & Benny Royal Remix | Annette Taylor, Pray For More | E Minor | 9 | 9A | 128 BPM | ||
| Backfired - Dave Lee Club Mix | MAW, India, Dave Lee | A Minor | 9 | 8A | 128 BPM | ||
| Whatever - Jimmy Sax Black Remix Deep House | Destardy, Jimmy Sax Black | B Minor | 7 | 10A | 118 BPM | ||
| Won't Let Go | Joey Negro, Dave Lee, Linda Clifford | C Major | 7 | 8B | 123 BPM | ||
| Premio mayor | Neural Overload | B Major | 5 | 1B | 120 BPM | ||
| Begun to Luv U | Doug Willis | C Major | 9 | 8B | 127 BPM | ||
| Time To Swim | San Pincho City | D♭ Major | 9 | 3B | 126 BPM | ||
| Everybody Dance - Ghosts of Venice Remix | Annette Taylor, Pray For More | F♯ Minor | 8 | 11A | 128 BPM | ||
| Back To The Funk - Turntables Night Fever Remix | Raffaele Ciavolino, Turntables Night Fever | C Major | 9 | 8B | 125 BPM | ||
| Shut It Down Boogie | Soledrifter | D Major | 7 | 10B | 123 BPM | ||
| Interlock | Andreíos, RÜLS | C Major | 9 | 8B | 125 BPM | ||
| Water | WellPush, BeatFlow Duo | B Minor | 9 | 10A | 124 BPM | ||
| Carry Us Away - TR829 | DJ Fudge | C Major | 9 | 8B | 125 BPM | ||
| T.L.C. (Tender Lovin’ Care) - Original Mix | The Muthafunkaz | C Major | 9 | 8B | 125 BPM |