"June Becomes July" by J.R. Richards had its release date on May 26, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in A Beautiful End by J.R. Richards. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, June Becomes July's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of June Becomes July by J.R. Richards is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Help Is On the Way | Ross Copperman | B Major | 5 | 1B | 82 BPM | ||
| Love Remains The Same | Gavin Rossdale | E Major | 6 | 12B | 149 BPM | ||
| At First Sight | Submersed | D♭ Major | 9 | 3B | 136 BPM | ||
| Unchained Melody | J.R. Richards | B Major | 4 | 1B | 93 BPM | ||
| Breathe | Ryan Star | A♭ Major | 8 | 4B | 166 BPM | ||
| Colorful | The Verve Pipe | D Major | 6 | 10B | 162 BPM | ||
| Lost Machines | Sleeperstar | E Major | 10 | 12B | 142 BPM | ||
| All That I Wanted | Evan And Jaron | E♭ Major | 9 | 5B | 88 BPM | ||
| Safe & Sound - demo | J.R. Richards | D Major | 4 | 10B | 155 BPM | ||
| Day Of Rain | Thriving Ivory | E♭ Major | 6 | 5B | 141 BPM | ||
| We're Forgiven | The Calling | F♯ Major | 7 | 2B | 77 BPM | ||
| Everything Must Find Its Place | Sleeperstar | B Major | 6 | 1B | 114 BPM | ||
| Frontline | Gavin Rossdale | D Major | 9 | 10B | 127 BPM | ||
| Tired Of You | The Exies | E♭ Major | 6 | 5B | 175 BPM | ||
| An Artist Prayer | Submersed | E Major | 9 | 12B | 142 BPM | ||
| Sending a Note | Graham Colton Band | E Minor | 8 | 9A | 123 BPM | ||
| Lost In You (2017 - Remaster) | Bush | F Major | 8 | 7B | 117 BPM | ||
| The Best That I Can Give | Emerson Hart | E♭ Major | 7 | 5B | 186 BPM | ||
| Next Best Thing | Endeverafter | E Major | 8 | 12B | 160 BPM | ||
| Days Away | Moses Mayfield | A♭ Minor | 8 | 1A | 151 BPM | ||
| A Road I've Walked Before | Fenric | B Major | 6 | 1B | 151 BPM | ||
| Something to Hope For | The Undeserving | C Major | 8 | 8B | 170 BPM | ||
| A Day Too Late | Graham Colton | C Major | 8 | 8B | 97 BPM | ||
| Inside These Lines | Trent Dabbs | F Minor | 7 | 4A | 143 BPM | ||
| Piano Song | Submersed | C Major | 7 | 8B | 133 BPM |