"Almost" by Benjamin Wallfisch had its release date on November 2, 2025. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Wallfisch's "IT: Welcome to Derry, Vol. 1 (Soundtrack from the HBO® Original Series)" album is number 6 out of 27. On top of that, United States appears to be the country where this track was created. Based on our statistics, Almost's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Almost by Benjamin Wallfisch to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| The Revenant Main Theme Atmospheric | Ryuichi Sakamoto | A Minor | 1 | 8A | 131 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Walk It Out | Clinton Shorter | B Major | 3 | 1B | 75 BPM | ||
| Aftermaths | David Shire | E♭ Major | 2 | 5B | 70 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Music Therapy | Visha Khan, Tune | C Major | 2 | 8B | 86 BPM | ||
| Burying the Dead | Kevin Kiner | D Major | 2 | 10B | 67 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| Requiem | Nathan Johnson | G Minor | 1 | 6A | 85 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
| Learning the Truth | Pinar Toprak | G Major | 0 | 9B | 167 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| Build a Bomb | Harry Gregson-Williams | D♭ Major | 2 | 3B | 160 BPM | ||
| Illustrazione | Stephan Bark, Humanix | D♭ Minor | 3 | 12A | 90 BPM | ||
| Slice & Dice / Never Again | Christopher Drake | F Minor | 3 | 4A | 84 BPM | ||
| Science the S*** Out of This | Harry Gregson-Williams | F♯ Minor | 2 | 11A | 180 BPM | ||
| Make Your Passage / Valhalla | Robin Carolan, Sebastian Gainsborough | B♭ Major | 4 | 6B | 64 BPM | ||
| The Quiet Base | Inner Ground | B Major | 3 | 1B | 75 BPM | ||
| Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | ||
| Off the Road | Abel Korzeniowski | D Minor | 2 | 7A | 131 BPM |