Blue October's 'PRN' had a release date set for September 15, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 23 out of 25 in Argue with a Tree by Blue October. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, PRN is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of PRN by Blue October is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waste My Time | Saint Asonia | F♯ Major | 6 | 2B | 130 BPM | ||
| Why Can't You Be | Third Eye Blind | A Minor | 5 | 8A | 157 BPM | ||
| The Leaving Song | AFI | E Minor | 5 | 9A | 147 BPM | ||
| Here's to the Night | Eve 6 | G Major | 7 | 9B | 97 BPM | ||
| Just Say When | NOTHING MORE | C Major | 3 | 8B | 146 BPM | ||
| Lightning Crashes | Live | B Major | 4 | 1B | 90 BPM | ||
| Can't Forget You | My Darkest Days | F♯ Major | 7 | 2B | 166 BPM | ||
| Falls Apart | Hurt | A♭ Minor | 7 | 1A | 146 BPM | ||
| The Space Between | Dave Matthews Band | A Major | 7 | 11B | 170 BPM | ||
| Best I Ever Had (Grey Sky Morning) | Vertical Horizon | F♯ Major | 6 | 2B | 86 BPM | ||
| Been Down | Blue October | C Major | 6 | 8B | 101 BPM | ||
| Something I Said | SafetySuit | D Major | 9 | 10B | 156 BPM | ||
| Private Fears in Public Places | Front Porch Step | B Major | 4 | 1B | 101 BPM | ||
| Think Twice | Eve 6 | B Major | 8 | 1B | 94 BPM | ||
| Stories | Trapt | E Major | 5 | 12B | 115 BPM | ||
| Quote | Evans Blue | D♭ Major | 8 | 3B | 122 BPM | ||
| Can't Stop The World | Gavin Rossdale | C Major | 8 | 8B | 109 BPM | ||
| Different Kind of Tears | Sully Erna | E♭ Major | 6 | 5B | 158 BPM | ||
| Wait For You | Atreyu | A Minor | 6 | 8A | 132 BPM | ||
| Zzyzx Rd. | Stone Sour | B Major | 6 | 1B | 159 BPM | ||
| Shattered (Turn The Car Around) - XX Version | O.A.R. | B Major | 9 | 1B | 106 BPM | ||
| Bright Lights | Matchbox Twenty | E Major | 7 | 12B | 80 BPM | ||
| The Getting Over It Part | Blue October | D Major | 8 | 10B | 96 BPM | ||
| Overrated | Thriving Ivory | B♭ Major | 7 | 6B | 152 BPM | ||
| The Gold | Manchester Orchestra | A Major | 7 | 11B | 180 BPM |