"Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto" by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas had its release date on November 10, 2017. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Schumann: Symphonies Nos. 1-4". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 35 KV385 in DMajor "Haffner": Finale.Presto | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 145 BPM | ||
| Karelia Suite, Op.11: 2. Ballade (Tempo di menuetto) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner, Barry Davis | A Minor | 0 | 8A | 69 BPM | ||
| Piano Concerto No. 3, Sz. 119: I. Allegretto | Béla Bartók, Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | F♯ Minor | 2 | 11A | 82 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Symphony in A Major: II. Larghetto | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | D Major | 0 | 10B | 111 BPM | ||
| Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 0 | 11B | 60 BPM | ||
| Symphony No. 2 in A Major: IV. Andante cantabile - Allegro vivo | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 140 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Presto | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Minor | 2 | 4A | 125 BPM | ||
| Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, David Zinman | C Major | 2 | 8B | 121 BPM | ||
| Symphony in C Major, GB 115: IV. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 137 BPM | ||
| Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
| Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo | Robert Schumann, Martha Argerich, Dora Schwarzberg, Lucy Hall, Mischa Maisky, Nobuko Imai | D Major | 0 | 10B | 80 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
| Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
| The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 99 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Grave | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM | ||
| Copland: Symphony No. 3: IV. Molto deliberato (Fanfare) - Allegro risoluto | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | D Major | 2 | 10B | 71 BPM | ||
| Grieg: Holberg Suite, Op. 40: I. Praeludium | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | G Major | 1 | 9B | 144 BPM | ||
| Piano Concerto No. 1 in E Flat Major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM |