"Puisque Robin j'ay à nom - Improvisation polyphonique Obsidienne" by Anonymous, Obsidienne, Emmanuel Bonnardot had its release date on 2003. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Chansons de la Renaissance by Obsidienne, Emmanuel Bonnardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Puisque Robin j'ay à nom - Improvisation polyphonique Obsidienne's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puisque Robin j'ay à nom - Improvisation polyphonique Obsidienne by Anonymous, Obsidienne, Emmanuel Bonnardot is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Graduale: Universi qui te expectant | Marek Klein | D♭ Major | 0 | 3B | 92 BPM | ||
| Harmonia Aurearum Aurorae | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Chorus Nocturnus Placidus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 72 BPM | ||
| Kyrie, "Leroy": Kyrie Leroy | John Taverner, Ars Nova Copenhagen, Paul Hillier | D♭ Major | 1 | 3B | 80 BPM | ||
| Coeur de Jésus brûlant d'amour | Olivier Michel, Choeur Adorate !, Paul Couturier | F Minor | 2 | 4A | 169 BPM | ||
| Parce Domine/Spare Your People, Lord | OCP Session Choir | E Minor | 1 | 9A | 131 BPM | ||
| The Second Vigil | Night Monastery | F Minor | 2 | 4A | 169 BPM | ||
| Hodie Christus natus est | Anonymous, Chœur de l'abbaye Notre-Dame d'Argentan | A Minor | 1 | 8A | 130 BPM | ||
| In paupertatis predio | Anonymous, Orlando Consort | A Minor | 1 | 8A | 95 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| Silent Bells Rejoice | Gregorian Chanting Monks, The Chanting Monk | B♭ Major | 1 | 6B | 71 BPM | ||
| 432Hz Peaceful Templar Chant | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | A Minor | 1 | 8A | 93 BPM | ||
| O Filii et Filiae | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 3 | 5A | 71 BPM | ||
| Sancta et Immaculata Virginitas | Traditional chant, Kloster Maria Engelport | F Major | 2 | 7B | 135 BPM | ||
| Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
| Hymnus: Puer Natus In Betheleem | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | ||
| Veni, veni Emmanuel | Zoltán Kodály, Aquarius | F Minor | 1 | 4A | 77 BPM | ||
| Dominus Dixit Ad Me | Coro Solemnis | B♭ Major | 1 | 6B | 171 BPM | ||
| Per omnia saecula saeculorum... Pater noster... | Anonymous, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | B Major | 1 | 1B | 69 BPM | ||
| Processional Hymn "O gloriosa domina" | Anonymous , Anonymous 4 | G Major | 0 | 9B | 76 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Ascendens Christus in altum | Francisco Guerrero, A5 Vocal Ensemble | F Major | 2 | 7B | 93 BPM | ||
| Kyrie à capella | The Benedictine Monks | B♭ Major | 1 | 6B | 137 BPM |