Reed Turchi's ' "Everybody's Waiting (For the End to Come)" was released on its scheduled release date, February 8, 2019. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Everybody's Waiting (For the End to Come)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Speaking in Shadows". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Everybody's Waiting (For the End to Come) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Everybody's Waiting (For the End to Come) by Reed Turchi having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everyone’s Quirky | Bernie Leadon | C Major | 2 | 8B | 103 BPM | ||
| Way Down South | Big Daddy Wilson | D Minor | 6 | 7A | 93 BPM | ||
| Come Home In My Kitchen | Dave Mason | E Minor | 4 | 9A | 115 BPM | ||
| Baltimore | Reed Turchi | G Major | 2 | 9B | 176 BPM | ||
| Saturday Sweets | Steinar Ytrehus | B Minor | 4 | 10A | 82 BPM | ||
| Milford Graves | Reed Turchi, Art Edmaiston, Aaron Lawson, Lee McAlilly, Austin White | D Major | 1 | 10B | 121 BPM | ||
| Pennsylvania Grass | Caledonia | A Major | 2 | 11B | 190 BPM | ||
| Essay on Reentry | Reginald Dwayne Betts, Reed Turchi | A Major | 1 | 11B | 99 BPM | ||
| My Own Fault | Mick Clarke | D♭ Minor | 6 | 12A | 71 BPM | ||
| You Got to Move - Live | Reed Turchi & His Kudzu Orkestra, Reed Turchi, Art Edmaiston | D Minor | 7 | 7A | 125 BPM | ||
| My Oh My Oh | Chris Harford | D♭ Minor | 6 | 12A | 71 BPM | ||
| Hold On Stay Strong - Radio Edit | Blues Against The Machine | D Major | 9 | 10B | 140 BPM | ||
| Steel Yourself | Jason Morrow | F Minor | 3 | 4A | 137 BPM | ||
| Black City | Steinar Ytrehus | D Minor | 3 | 7A | 120 BPM | ||
| Alligator Baby | Marc A Ridge | D Major | 3 | 10B | 118 BPM | ||
| The Price You Pay | Lloyd Spiegel | D Major | 4 | 10B | 180 BPM | ||
| Echoes of Borderline | Jon Nolan | D Major | 2 | 10B | 108 BPM | ||
| Back Alley Promise | Shelby Street Blues | D♭ Minor | 6 | 12A | 71 BPM | ||
| Slow waves | The Sad Guitar, Misery Guitar Strings, Blues Delight | B Minor | 3 | 10A | 76 BPM | ||
| Ain't That A Crime | Chris O'Leary | D Major | 9 | 10B | 161 BPM | ||
| I Know The Blues | Marco Descontus, The Italian Connection | F♯ Major | 2 | 2B | 123 BPM | ||
| I Miss You | Kent Burnside | A Minor | 3 | 8A | 129 BPM | ||
| It Could Have Been Us | Steinar Ytrehus | C Major | 3 | 8B | 140 BPM | ||
| I Been Looking | Garry Burnside | A Minor | 8 | 8A | 99 BPM | ||
| Ridingsunset | ZuelleBlues | A Major | 4 | 11B | 106 BPM |