On September 6, 2001, the song "Pootha Poojeye Devig" was released by Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in B. R. Chaya, Ratnamala Prakash, Puttur Narasimha Nayak's "Kateelda Devig Pootha Pooje" album is number 10 out of 10. On top of that, India appears to be the country where this track was created. The popularity of Pootha Poojeye Devig is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pootha Poojeye Devig by Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intha Gurugala Kaane Naa | Sheshagiridas Raichur | B♭ Major | 5 | 6B | 100 BPM | ||
| Baagilolu Kai Mugidu | Ratnamala Prakash | E Major | 5 | 12B | 150 BPM | ||
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Om Shakthi Baare Manege | K. Yuvaraj, Sujatha Dutt, Sunitha Prakash | C Major | 7 | 8B | 129 BPM | ||
| Shwethambara Dharini | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | G Major | 6 | 9B | 154 BPM | ||
| Huli Karadi Kunidavo | L.N. Shastri | G Major | 6 | 9B | 150 BPM | ||
| Raja Beediyolage | Mysore Ramachandrachar | A♭ Major | 6 | 4B | 171 BPM | ||
| Olidu Baarayya | Puttur Narasimha Nayak | A Major | 4 | 11B | 94 BPM | ||
| Dhareyoddharaka | Anantha Kulkarni | F♯ Minor | 5 | 11A | 113 BPM | ||
| Sri Hari Seshadri | Gopikapoornima, Ramu, Muralidhar & Chorus | E Minor | 5 | 9A | 101 BPM | ||
| Nambidora Mane | M. S. Ravigowda, B. Jayashree, Nandita | C Major | 6 | 8B | 118 BPM | ||
| Bhadrapada Masa | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Souwmya | G Minor | 5 | 6A | 154 BPM | ||
| Ako Shayama Avale Radhe | M. S. Sheela, K.S. Surekha | F Major | 5 | 7B | 80 BPM | ||
| Hittu Maade Soppu Maade | Appagere Thimmaraju, Nanditha | A♭ Major | 4 | 4B | 163 BPM | ||
| Nirbayalu Embudu | Chennaveera Gavayi | D Major | 5 | 10B | 112 BPM | ||
| Om Gurunatha Sharanam | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Aadi Poojithane | Veeramani Raju | F Major | 6 | 7B | 96 BPM | ||
| Ee Baanu Ee Chukki | Jayashri | D♭ Minor | 7 | 12A | 100 BPM | ||
| Kolalampur | Sulamangalam Sisters | F♯ Major | 8 | 2B | 152 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Sister Sister | Hamsalekha, Latha Hamsalekha, Vijaya Lakshmi | G Minor | 9 | 6A | 116 BPM | ||
| Koduva Kartu | Sri Vidyabhushana | G Minor | 7 | 6A | 97 BPM | ||
| Bandano Govinda | Shashidhar Kote | A♭ Minor | 6 | 1A | 177 BPM | ||
| Irula Samaya | Ratnamala Prakash | D Minor | 5 | 7A | 102 BPM | ||
| Anjaneya Gativi Nive | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 115 BPM |