Steve Everitt's 'Fireball' had a release date set for November 1, 2018. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Fireball's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Friction by Steve Everitt. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Fireball is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fireball by Steve Everitt is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jungle World | Chris Wirsig | D♭ Minor | 9 | 12A | 137 BPM | ||
| The Tournament | Bonnie Grace | F♯ Major | 7 | 2B | 183 BPM | ||
| Pisadas Gastadas | Disman | C Minor | 5 | 5A | 74 BPM | ||
| Uppercut | Steve Everitt | B Major | 9 | 1B | 92 BPM | ||
| Send Me an Angel | Damned Anthem, Lola Rhodes | E Minor | 4 | 9A | 160 BPM | ||
| Rise to Power | Christoffer Moe Ditlevsen | F Minor | 4 | 4A | 120 BPM | ||
| The Last Dawn | Celtroya | G Major | 5 | 9B | 99 BPM | ||
| Make The Save | David Robidoux | E Minor | 4 | 9A | 160 BPM | ||
| Piano di battaglia | Non Binary | C Major | 6 | 8B | 110 BPM | ||
| Disoriented | Dos Brains | E Minor | 4 | 9A | 160 BPM | ||
| The Final Battle | Steve Ralph | B♭ Minor | 8 | 3A | 130 BPM | ||
| Alpha | Hi-Finesse | C Major | 7 | 8B | 75 BPM | ||
| Chasing the Pole | Benjamin Wallfisch, Chris Egan | E Minor | 4 | 9A | 160 BPM | ||
| Prometheus | Kári Sigurðsson | D♭ Minor | 5 | 12A | 180 BPM | ||
| Welcome to the Galaxy | Samuel Laflamme | C Major | 10 | 8B | 150 BPM | ||
| Edge of Light | Maria Ferreira | E Minor | 3 | 9A | 92 BPM | ||
| Free at Last | Steve Everitt | A Major | 1 | 11B | 85 BPM | ||
| Lost the Moment | Or Chausha | F♯ Minor | 6 | 11A | 126 BPM | ||
| Hero - Instrumental Version | Tiko Tiko | C Major | 9 | 8B | 120 BPM | ||
| It Falls To You Now | VG Dragon | D Minor | 5 | 7A | 135 BPM | ||
| Sport Pop | Steve Everitt | E Major | 4 | 12B | 130 BPM | ||
| Downfall | Hi-Finesse | A Minor | 7 | 8A | 130 BPM | ||
| Beyond The Limit | Vance Westlake, Michael James Burns | G Minor | 7 | 6A | 180 BPM | ||
| Gut Feeling | Hypersonic Music, Steve Everitt | D Major | 6 | 10B | 95 BPM | ||
| Eye of the Storm | Aaron Albert Srdoc, Scott Goodman | D Major | 5 | 10B | 170 BPM |