On February 16, 2018, the song "Stan and Mabel: 12. The Greatest Song II - Music-only version" was released by Adelaide Symphony Orchestra, Benjamin Northey. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #33. In terms of popularity, Stan and Mabel: 12. The Greatest Song II - Music-only version is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stan and Mabel: 12. The Greatest Song II - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 2, P. 138: IV. Bergamasca: Allegro | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
| Mother Goose Suite: Sleeping Beauty Pavane | Maurice Ravel, Adelaide Symphony Orchestra, Ron Spigelman | C Major | 0 | 8B | 133 BPM | ||
| The Gondoliers, Act II: 30. Take A Pair Of Sparkling Eyes | Arthur Sullivan, Adelaide Symphony Orchestra, James Christiansen, Thomas Edmonds | B♭ Major | 6 | 6B | 116 BPM | ||
| Repentir | Charles Gounod, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 112 BPM | ||
| The Gondoliers, Act I: 11. In Enterprise Of Martial Kind | Arthur Sullivan, Adelaide Symphony Orchestra, Dennis Olsen, James Christiansen, Ruth Gurner, Norma Knight, Thomas Edmonds | B♭ Major | 6 | 6B | 116 BPM | ||
| From Uluru | Peter Sculthorpe, Adelaide Symphony Orchestra, David Porcelijn | A Major | 2 | 11B | 127 BPM | ||
| Little Serenade | Peter Sculthorpe, Adelaide Symphony Orchestra, Ron Spigelman | F Major | 0 | 7B | 70 BPM | ||
| Le nozze di Figaro, K. 492, Act II: "Voi che sapete" | Wolfgang Amadeus Mozart, Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton | G Major | 5 | 9B | 113 BPM | ||
| The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss | Orchestra of the Swan, David le Page | D Major | 1 | 10B | 77 BPM | ||
| The Hovis Bread Theme, The New World Symphony 9 | City Festival Light Orchestra, Alain Darrout | D♭ Major | 1 | 3B | 65 BPM | ||
| Carnival Of The Animals, Finale | Chicago Symphony Orchestra | C Major | 3 | 8B | 100 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Mark Elder, Hallé | E Major | 0 | 12B | 91 BPM | ||
| Pictures at an Exhibition: Ballet of the Unhatched Chicks | Adelaide Symphony Orchestra, Timothy Sexton | F Major | 1 | 7B | 169 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Concerto in F Minor for Bass Tuba and Orchestra: I. Allegro moderato | Ralph Vaughan Williams, Peter Whish-Wilson, David Stanhope, Adelaide Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Melodies From Scotland | The Ayoub Sisters, Paul Campbell, Royal Scottish National Orchestra | D Major | 2 | 10B | 61 BPM | ||
| Brightness In The Hills | Nat Bartsch | G Major | 2 | 9B | 96 BPM | ||
| Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | ||
| Butterflying | Elena Kats-Chernin, Tamara Anna Cislowska | D Minor | 0 | 7A | 93 BPM | ||
| The Firebird: Round Dance of the Princesses | Igor Stravinsky, Adelaide Symphony Orchestra, Ron Spigelman | B Major | 0 | 1B | 133 BPM | ||
| Evita Symphonic Suite - Pt.1 | Andrew Lloyd Webber, The Andrew Lloyd Webber Orchestra, Simon Lee | F Major | 3 | 7B | 178 BPM | ||
| Carnival of the Animals: Introduction and Royal March of the Lion | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes | C Major | 2 | 8B | 81 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM |