Ricardo Gallén's ' "Suite In C Minor, BWV 997: Gigue" was released on its scheduled release date, June 4, 2013. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 29 in Bach: Complete Lute Works by Ricardo Gallén. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite In C Minor, BWV 997: Gigue is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite In C Minor, BWV 997: Gigue by Ricardo Gallén is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estudio Capricho | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 97 BPM | ||
| La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | E Minor | 0 | 9A | 136 BPM | ||
| Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
| Homenatge a Mistral: II. Plany de Mireio | Matilde Salvador, Nikos Zarkos | A Minor | 0 | 8A | 101 BPM | ||
| Rondeña | Regino Sáinz de la Maza, Émilie Fend | D Major | 1 | 10B | 124 BPM | ||
| Sulle scale per terze | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM | ||
| Carcassi Op.60 N.8 Moderato | Matteo Carcassi, Lucio Matarazzo | E Major | 3 | 12B | 171 BPM | ||
| Canarios | Gaspar Sanz, Timo Korhonen | D Major | 1 | 10B | 168 BPM | ||
| 5 Hommages français: No. 5, Hommage à Ravel. Comme un hommage | Arnaud Dumond, Marko Topchii | G Major | 0 | 9B | 141 BPM | ||
| Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
| Ana Cristina | Antonio Lauro, Victor Villadangos | A Minor | 0 | 8A | 71 BPM | ||
| Forlorn Hope, P. 2 | John Dowland, Georgi Dimitrov-Jojo | C Minor | 0 | 5A | 97 BPM | ||
| Barrios Mangoré: Aire de zamba | Agustín Barrios Mangoré, Thibaut García | D Minor | 1 | 7A | 110 BPM | ||
| Aire vasco, Op. 19 | Antonio Jiménez Manjon, Andrea González Caballero | E Minor | 1 | 9A | 108 BPM | ||
| Contreras: Pastillaneando | José Contreras, Eliot Fisk | B♭ Major | 3 | 6B | 96 BPM | ||
| Guitar Sonata No. 1: II. Andante | Carlos Guastavino, Ausiàs Parejo | E Major | 2 | 12B | 91 BPM | ||
| Carcassi Study No.3 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM | ||
| Barcarola 'Julia Florida' | Paolo Pegoraro | D Major | 0 | 10B | 121 BPM | ||
| Ponce: 3 Canciones populares mexicanas: No. 3, La valentina | Manuel Ponce, Eliot Fisk | A Minor | 3 | 8A | 84 BPM | ||
| Blackbird | Anabel Montesinos | G Major | 2 | 9B | 98 BPM | ||
| Malagueñas - Remastered | Gonzalo Ortega | F Minor | 5 | 4A | 128 BPM | ||
| Milonga del viento | Jorge Morel, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM | ||
| Pacific Sunrise | James Lentini | A Major | 0 | 11B | 158 BPM | ||
| Castillos de España II: No. 3, Alcaniz | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM |