Anthony Braxton's ' "RBHM (Opus 23D)" was released on its scheduled release date, March 1, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "New York, Fall 1974". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. RBHM (Opus 23D) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With RBHM (Opus 23D) by Anthony Braxton having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flipped Flopped | Trapper Fade | D♭ Major | 5 | 3B | 120 BPM | ||
| Sunken Treasure | The Gil Evans Orchestra | D♭ Major | 1 | 3B | 102 BPM | ||
| A Night In Medina | Randy Weston | A Major | 3 | 11B | 80 BPM | ||
| 104 - Kelvin (Opus 26F) | Anthony Braxton | E♭ Major | 1 | 5B | 80 BPM | ||
| Pain Becomes Prayer And The Prayer Becomes A Song | Work Money Death | A♭ Major | 3 | 4B | 85 BPM | ||
| Beauty Is a Rare Thing | Ornette Coleman | F Minor | 0 | 4A | 110 BPM | ||
| Up The Entropy Slope | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Evidence | Steve Lacy, Don Cherry | A♭ Major | 3 | 4B | 109 BPM | ||
| I Lost My Step in Nantucket | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Organum | Qasim Naqvi, Wadada Leo Smith, Andrew Cyrille | G Major | 1 | 9B | 124 BPM | ||
| Slidin' Through | Arthur Blythe | F Major | 7 | 7B | 83 BPM | ||
| Here's That Rainy Day | Elvin Jones, Richard Davis | B♭ Major | 2 | 6B | 98 BPM | ||
| RKRR (Opus 77C) | Anthony Braxton | C Minor | 0 | 5A | 107 BPM | ||
| Shaw Town | Chicago Underground Trio | F Major | 0 | 7B | 80 BPM | ||
| Bilbao Song | The Gil Evans Orchestra | F Major | 2 | 7B | 110 BPM | ||
| Charlie M | Art Ensemble Of Chicago | B♭ Minor | 3 | 3A | 127 BPM | ||
| I See Myself in Me | Cassie Kinoshi, seed. | A♭ Major | 2 | 4B | 143 BPM | ||
| Moon Ray | Roy Haynes Quartet | A Minor | 4 | 8A | 76 BPM | ||
| Prayer For Jimbo Kwesi | Art Ensemble Of Chicago | D Major | 1 | 10B | 105 BPM | ||
| Bells | Albert Ayler | C Major | 7 | 8B | 111 BPM | ||
| Primal Poem | Matthew Shipp | G Minor | 2 | 6A | 83 BPM | ||
| Spirit World | Ivo Perelman, Matthew Shipp, Joe Morris | C Minor | 3 | 5A | 70 BPM | ||
| 327 (Opus 40P) (with Muhal Richard Abrams) | Anthony Braxton, Muhal Richard Abrams | A♭ Major | 2 | 4B | 94 BPM | ||
| Koma Rail | Petter Eldh, Koma Saxo, Sofia Jernberg | C Major | 3 | 8B | 110 BPM | ||
| And On The Third Day (For Gary Burton), Pt. 3 | Michael Gibbs | F♯ Minor | 5 | 11A | 118 BPM |