Traditional, Magdalena Haubs's ' "Suzuki Piano School Volume 1: Lightly Row (Version 2)" was released on its scheduled release date, April 10, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 36 in Classical Piano Works - Beginner To Intermediate Level 1 & 2 by Magdalena Haubs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suzuki Piano School Volume 1: Lightly Row (Version 2) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Suzuki Piano School Volume 1: Lightly Row (Version 2) by Traditional, Magdalena Haubs is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Más cerca, Dios, de Ti | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | ||
| Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | ||
| In dulci jubilo | Traditional, Folke Bohlin, Lunds Studentsångare | F Major | 0 | 7B | 85 BPM | ||
| Jesus refulsit omnium | Steven Griffin, The Choir of Magdalen College, Oxford, Mark Williams | F Major | 2 | 7B | 76 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| O filii et filiae | Schola Antiqua, Schola Gregoriana Hispana | A♭ Major | 1 | 4B | 142 BPM | ||
| Lieux enchantés : petit jardin plein d'ombre (extrait de « henriette ») | René Morax, François Margot, Gustave Doret, André Charlet, Choeur Pro Arte de Lausanne | A Major | 3 | 11B | 104 BPM | ||
| A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 81 BPM | ||
| Thirsty of Your Mercy | Kpakurukpa | D♭ Major | 0 | 3B | 78 BPM | ||
| Widor: Toccata (from Symphony No. 5) | Charles-Marie Widor, David Poulter | F Major | 2 | 7B | 119 BPM | ||
| Immaculate Mary | Traditional, Notre Dame Basilica Schola, Gail Walton | A♭ Minor | 2 | 1A | 95 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
| Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | G Major | 1 | 9B | 74 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Introit in Shadow | Night Monastery | F Major | 0 | 7B | 85 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| The Day Thou Gavest Lord Is Ended | The Scottish Festival Singers | A♭ Major | 2 | 4B | 81 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM |