Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra's 'Thunder And Lightning, Op. 324' had a release date set for November 11, 2016. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra, Lorina Gore's "Johann Strauss: Waltzes and Arias" album is number 3 out of 11. On top of that, Australia appears to be the country where this track was created. Thunder And Lightning, Op. 324 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thunder And Lightning, Op. 324 by Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Scalando - Remasterizado | Luis Cobos | F Major | 4 | 7B | 138 BPM | ||
| Don Quixote, Act I: Coda | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Tchaikovsky: Serenade for Strings, Op. 48: II. Waltz | Pyotr Ilyich Tchaikovsky, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 97 BPM | ||
| Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
| Giselle, Act 1: No. 5a Hilarion plots, Courtiers enter with Duke and Bathilde, Mother serves refreshments, Giselle and Bathilde meet, Bathilde gives Giselle a necklace, Intro to Peasant Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | F Major | 1 | 7B | 119 BPM | ||
| Lagunen, Op. 411: Lagunen Waltz, Op. 411 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 1 | 8B | 185 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Hervé Niquet | G Major | 3 | 9B | 133 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
| Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Jockey-Polka (Schnell), Op. 278 | Josef Strauss, Slovak Radio Symphony Orchestra | F Major | 3 | 7B | 163 BPM | ||
| (Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Giselle, Act 2: No. 20 Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM |