"動物の謝肉祭 耳の長い登場人物" by ニューヨーク フィルハーモニック had its release date on February 8, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in サン・サーンス 動物の謝肉祭 プロコフィエフ ピーターと狼, so we believe that "動物の謝肉祭 耳の長い登場人物" is a single. 動物の謝肉祭 耳の長い登場人物 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 動物の謝肉祭 耳の長い登場人物 by ニューヨーク フィルハーモニック is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in D Major, Op. 36: II. Larghetto | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 87 BPM | ||
| Symphony No. 4 in F Minor, Op. 36, TH. 27: II. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | G Minor | 1 | 6A | 171 BPM | ||
| Eugene Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | G Major | 2 | 9B | 96 BPM | ||
| 「どろぼうかささぎ」序曲 | ニューヨーク フィルハーモニック | A Major | 3 | 11B | 125 BPM | ||
| The Creatures of Prometheus, Op. 43: i. Overture: Adagio. Allegro molto con brio | Beethoven, Maurice Abravanel, Utah Symphony Orchestra | F Major | 2 | 7B | 113 BPM | ||
| 交響管絃楽のための音楽: II. Allegro | 芥川也寸志, 飯守泰次郎, 新交響楽団 | B Major | 4 | 1B | 98 BPM | ||
| ドヴォルザーク:チェコ組曲より第2曲 ポルカ | Antonín Dvořák, のだめオーケストラ | A Minor | 1 | 8A | 108 BPM | ||
| Symphony No. 1, GMW 11: IVc. Wieder wie zu Anfang. Stürmisch bewegt | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: 3. Finale. Presto scherzando | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | A Minor | 1 | 8A | 106 BPM | ||
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
| Serenade for Strings in C, Op. 48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 69 BPM | ||
| 歌劇《セビリャの理髪師》序曲 | ニューヨーク フィルハーモニック | E Major | 1 | 12B | 175 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
| 交響曲第4番ホ短調作品98 第1楽章:アレグロ・ノン・トロッポ | Berliner Philharmoniker | C Major | 3 | 8B | 120 BPM | ||
| Le carnaval des animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 87 BPM | ||
| 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| 交響曲 第5番 ニ短調 作品47 II- Allegretto | Dmitri Shostakovich, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | C Major | 1 | 8B | 135 BPM | ||
| Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 105 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Minor | 2 | 9A | 90 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto | Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley | E Minor | 1 | 9A | 180 BPM | ||
| 歌劇「ウィリアム・テル」序曲 | ニューヨーク フィルハーモニック | E Major | 1 | 12B | 93 BPM | ||
| シューベルト: 劇音楽《ロザムンデ》 間奏曲 第3番 | Franz Schubert, Otmar Suitner, Staatskapelle Berlin | B♭ Major | 1 | 6B | 85 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | D Minor | 1 | 7A | 136 BPM | ||
| Symphony No. 39 in E-Flat Major, K. 543: IV. Allegro | Wolfgang Amadeus Mozart, Folkwang Kammerorchester Essen, Johannes Klumpp | G Major | 2 | 9B | 101 BPM |