Steve Earle's ' "Waiting On You" was released on its scheduled release date, January 1, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 10 in Copperhead Road by Steve Earle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Waiting On You is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Waiting On You by Steve Earle is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Some Rowdy Women | Shooter Jennings | A Major | 5 | 11B | 170 BPM | ||
| The Wherewithal | The Tragically Hip | B Minor | 8 | 10A | 80 BPM | ||
| Goodbye's All We've Got Left | Steve Earle | D Major | 6 | 10B | 126 BPM | ||
| Blackjack David | Dave Alvin | B♭ Major | 4 | 6B | 94 BPM | ||
| Lost and Lazy | 54-40 | G Major | 8 | 9B | 76 BPM | ||
| The Other Side of the Mountain | Mudcrutch | E Minor | 9 | 9A | 115 BPM | ||
| Dirty Life and Times | Warren Zevon | G Major | 4 | 9B | 177 BPM | ||
| Stand Guard | Bob Mould | B Minor | 8 | 10A | 118 BPM | ||
| Opiated | The Tragically Hip | D Major | 6 | 10B | 129 BPM | ||
| How I Got To Memphis | The V-Roys | G Major | 7 | 9B | 113 BPM | ||
| Notorious | Confederate Railroad | F Minor | 5 | 4A | 122 BPM | ||
| Wasteland of the Free | Iris DeMent | F Major | 9 | 7B | 179 BPM | ||
| It Can't Happen To Me | Charlie Major | B♭ Major | 6 | 6B | 125 BPM | ||
| Small Town Bringdown | The Tragically Hip | E Minor | 8 | 9A | 130 BPM | ||
| Don't Sit On My Jimmy Shands | Richard Thompson | C Major | 4 | 8B | 179 BPM | ||
| Back into Your World | Son Volt | D♭ Major | 7 | 3B | 119 BPM | ||
| True Devotion | Bodeans | E Major | 4 | 12B | 117 BPM | ||
| Waitin' on a Train | The Bottle Rockets | G Minor | 7 | 6A | 128 BPM | ||
| Have Mercy | Steve Earle, The Dukes | G Major | 3 | 9B | 107 BPM | ||
| Picking up the Signal | Son Volt | D Major | 8 | 10B | 130 BPM | ||
| Catching On - 2015 Remaster | Son Volt | D Major | 8 | 10B | 131 BPM | ||
| I Can Tell Your Love Is Waning | Slobberbone | C Major | 6 | 8B | 130 BPM | ||
| Row Of Dominoes | Joe Ely | D♭ Major | 5 | 3B | 119 BPM | ||
| Jennifer Johnson & Me | Robert Earl Keen | C Major | 1 | 8B | 92 BPM | ||
| Hopes Go Astray | The Northern Pikes | G Major | 8 | 9B | 155 BPM |