"Sneaky Suspicion" by Stuart Roslyn, Alex Stagg had its release date on January 8, 2026. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Sneaky Suspicion's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 8 in Dramedy by Stuart Roslyn. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sneaky Suspicion is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sneaky Suspicion by Stuart Roslyn, Alex Stagg is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preparations | Siddhartha Khosla | F Minor | 0 | 4A | 171 BPM | ||
| Where We Used To Wander | William Claeson | D Major | 1 | 10B | 72 BPM | ||
| Earthspan | Paul Mottram | C Minor | 7 | 5A | 140 BPM | ||
| Maigret - Opening Titles | Uèle Lamore | A Minor | 3 | 8A | 99 BPM | ||
| When Sun Meets Moon | Gavin Luke | A♭ Major | 2 | 4B | 120 BPM | ||
| Baggage | Marcelo Zarvos | G Minor | 1 | 6A | 118 BPM | ||
| Night Sky in Patagonia | David Schweitzer, Eurielle | E♭ Major | 0 | 5B | 199 BPM | ||
| One Small Step (Original Score) | Steve Horner | F♯ Major | 2 | 2B | 86 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Spiral Dynamics | Lama House | E♭ Minor | 0 | 2A | 79 BPM | ||
| Finding Freedom | David Schweitzer | C Minor | 3 | 5A | 130 BPM | ||
| Octopus Joy | Kevin Smuts | A♭ Major | 0 | 4B | 71 BPM | ||
| Tonight Is the Night | Howard Harper-Barnes | D Major | 4 | 10B | 140 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| A New Day | Jon Opstad | E Minor | 1 | 9A | 130 BPM | ||
| The Gilded Age (Main Title Theme) | Harry Gregson-Williams, Rupert Gregson-Williams | E♭ Major | 5 | 5B | 90 BPM | ||
| Brief Interviews with Fastidious Friends | Michael Giacchino | A Major | 3 | 11B | 72 BPM | ||
| Coco Begins His Journey | David Celeste | G Minor | 2 | 6A | 100 BPM | ||
| Birth of Mary | Timothy Williams | F♯ Major | 1 | 2B | 100 BPM | ||
| Insight | Stuart Roslyn | F Major | 3 | 7B | 78 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| The Engine Room | Alexandra Harwood | A♭ Major | 2 | 4B | 70 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| A Perfect Night for Flying | Anne Chmelewsky | D♭ Minor | 1 | 12A | 140 BPM | ||
| Shadows | Inon Zur | A Minor | 2 | 8A | 96 BPM |