Bob Lind's ' "Spilling Over" was released on its scheduled release date, January 1, 1970. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Since There Were Circles". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Spilling Over is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Spilling Over by Bob Lind having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Song For The Dead Che | The United States Of America | A Minor | 2 | 8A | 160 BPM | ||
| Home Home | Jimmer Glynn, Alan Rackin | D Major | 5 | 10B | 142 BPM | ||
| No Train to Stockholm | Lee Hazlewood | D Major | 1 | 10B | 182 BPM | ||
| She's The Kind Of Girl | Gene Clark | D Major | 3 | 10B | 146 BPM | ||
| And Suddenly | The Left Banke | E♭ Major | 8 | 5B | 130 BPM | ||
| If The Weather's Sunny | The Smoke | A♭ Major | 5 | 4B | 121 BPM | ||
| Loving You Is Sweeter Than Ever | Dion | D Major | 4 | 10B | 174 BPM | ||
| All Come to Meet Her | Alexander 'Skip' Spence | D Major | 4 | 10B | 75 BPM | ||
| Back to Stay | Bridget St John | B Major | 5 | 1B | 105 BPM | ||
| The Rain Falls Down | The Rising Storm | E Minor | 3 | 9A | 114 BPM | ||
| Love Is a Jungle | Peter Ivers | G Minor | 5 | 6A | 82 BPM | ||
| Sylvie | Sylvie, Iain Matthews | B Minor | 6 | 10A | 112 BPM | ||
| Gonna Cry Today | Nazz | C Major | 5 | 8B | 145 BPM | ||
| Here Comes The Sun | Oliver Klaus | D Major | 5 | 10B | 172 BPM | ||
| Adia | Bob Lind | E♭ Major | 8 | 5B | 150 BPM | ||
| Kilburn Towers | Bee Gees | D Major | 5 | 10B | 135 BPM | ||
| Love is Forever | Sandy Bull | A Major | 3 | 11B | 162 BPM | ||
| Move with the Dawn | Mark Eric | A Minor | 7 | 8A | 138 BPM | ||
| If They Left Us Alone Now | Wool | F Minor | 2 | 4A | 92 BPM | ||
| Sweethearts | Richard Goldman | E♭ Major | 4 | 5B | 110 BPM | ||
| 5 a.m. | The Millennium | A Major | 5 | 11B | 123 BPM | ||
| Silent Movies | Hirth Martinez | G Major | 3 | 9B | 134 BPM | ||
| The Wailing of the Willow | Harry Nilsson | C Major | 2 | 8B | 130 BPM | ||
| Tying The Leaves | Female Species | A Major | 3 | 11B | 179 BPM | ||
| Sunny Goodge Street | Donovan | C Minor | 2 | 5A | 128 BPM |