Annette Hanshaw's 'Ua No a Like - Sweet Constancy' had a release date set for December 24, 1999. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Volume 6 1929 by Annette Hanshaw. The song's track number on the album is #16 out of 24 tracks. Ua No a Like - Sweet Constancy is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ua No a Like - Sweet Constancy by Annette Hanshaw has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ua No a Like - Sweet Constancy being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There is a Tavern in the Town | Rudy Vallee | B♭ Major | 5 | 6B | 115 BPM | ||
| Got No Time (Recorded May 1925) | Jane Green | E♭ Minor | 2 | 2A | 179 BPM | ||
| La Paloma | The Merry Macs | D Major | 1 | 10B | 84 BPM | ||
| Let's Talk About My Sweetie | Ruth Etting | E♭ Major | 3 | 5B | 97 BPM | ||
| (There'll Be Bluebirds Over) The White Cliffs Of Dover | Kay Kyser & His Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Gone With the Wind | Horace Heidt & His Musical Knights, Larry Cotton | E♭ Major | 2 | 5B | 140 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| Daddy Won't You Please Come Home | Annette Hanshaw | G Major | 3 | 9B | 136 BPM | ||
| My Reverie | Bea Wain | E♭ Major | 3 | 5B | 97 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
| Love, Your Spell Is Everywhere | Ben Selvin & His Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
| I Like Pie I Like Cake - But I Like You Best of All | Goofus Five | E♭ Major | 2 | 5B | 94 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| The Love That I Have for You | Vaughn Monroe | F Major | 3 | 7B | 83 BPM | ||
| Love Me or Leave Me | Ruth Etting | E♭ Major | 3 | 5B | 97 BPM | ||
| Cooking Breakfast for the One I Love | Annette Hanshaw | E♭ Major | 1 | 5B | 176 BPM | ||
| Anything Goes | Ambrose & His Orchestra | E Major | 3 | 12B | 182 BPM | ||
| Seems Like Old Times | Vaughn Monroe | B Minor | 2 | 10A | 115 BPM | ||
| What Wouldn't I Do for That Man | Annette Hanshaw | A Major | 2 | 11B | 108 BPM | ||
| If You Can't Sing It (You'll Have To Swing It) | Martha Raye | F Minor | 0 | 4A | 114 BPM | ||
| Red Sails in the Sunset | Bert Ambrose, Bert Ambrose Orchestra | A♭ Major | 5 | 4B | 133 BPM | ||
| Old Man Harlem | Rudy Vallee and His Connecticut Yankees | E♭ Major | 3 | 5B | 97 BPM | ||
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
| P.S. - I Love You | Rudy Vallee and His Connecticut Yankees | E♭ Major | 3 | 5B | 97 BPM |