Avi Avital's ' "Csárdás - Commentary" was released on its scheduled release date, January 1, 2014. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 38 in Between Worlds (Including Spotify Commentary) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Csárdás - Commentary's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Csárdás - Commentary by Avi Avital is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El cant dels ocells | Pablo Casals, Christian-Pierre La Marca | G Minor | 1 | 6A | 115 BPM | ||
| Folias Criollas | The Anonymous, Jordi Savall, Hespèrion XXI | A Minor | 3 | 8A | 94 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Mingrelian Songs: Kuchkhi Bedineri (Arr. Bruce for Mandolin, Ensemble & Choir) | Otar Taktakishvili, Avi Avital, Between Worlds, Ensemble Rustavi | B Minor | 3 | 10A | 117 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Bučimiš | Avi Avital, Itamar Doari | E Minor | 5 | 9A | 115 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: III. Allegro | Antonio Vivaldi, Avi Avital, Alon Sariel, Venice Baroque Orchestra | E Minor | 1 | 9A | 109 BPM | ||
| Musica proibita | Stanislao Gastaldon, Juan Diego Flórez, Avi Avital, Ksenija Sidorova, Filarmonica Gioachino Rossini, Carlo Tenan | E♭ Major | 2 | 5B | 79 BPM | ||
| Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Mandolin Concerto: I. Adagio religioso - Allegro - Andante - Presto - Adagio - Andante | Avner Dorman, Avi Avital, Metropolis Ensemble, Andrew Cyr | D Minor | 1 | 7A | 155 BPM | ||
| Miniatures on Georgian Folk Themes: Song | Avi Avital, Simone Bernardini, Amihai Grosz, Zvi Plesser, Klaus Stoll, Itamar Doari | A Minor | 1 | 8A | 152 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Tema con variazioni | George Frideric Handel, Xavier De Maistre | F Major | 2 | 7B | 155 BPM | ||
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: II. The Death of Despair | David Bruce, Avi Avital, Anneleen Lenaerts, Yizhar Karshon, Ophira Zakai, Sean Shibe | G Minor | 0 | 6A | 120 BPM | ||
| Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie | Slovak Chamber Orchestra | B Minor | 2 | 10A | 118 BPM | ||
| Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
| Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
| Lonely Girl | Avi Avital, Omer Avital, Yonathan Avishai, Itamar Doari | F Minor | 3 | 4A | 79 BPM | ||
| Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn | George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists | B Major | 0 | 1B | 97 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM |