Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks's 'Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel)' had a release date set for August 18, 2023. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weihnachten mit "Hänsel und Gretel" by Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks. The song's track number on the album is #1 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel) by Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In diesen heil'gen Hallen (Die Zauberflöte) | Kim Borg, Münchener Philharmoniker | E Major | 1 | 12B | 98 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Hänsel und Gretel, Act II: Ein Männlein steht im Walde (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Quant au douanier, c'est notre affaire !" (Frasquita, Mercedes, Carmen, Chœur, Le Remendado, Le Dancaïre) | Georges Bizet, Giuseppe Sinopoli, Chor der Bayerischen Staatsoper, Jan Zinkler, Jennifer Larmore, Natascha Petrinsky, Nathalie Boissy, Ulrich Ress, Bavarian State Orchestra | F♯ Major | 1 | 2B | 118 BPM | ||
| Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | F Major | 2 | 7B | 124 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
| Die Fledermaus, Act II: No. 11a, Finale. Herr, Chevalier, ich grüsse Sie! | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolf Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
| Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeicheln | Wolfgang Amadeus Mozart, Regula Mühlemann, Kammerorchester Basel, Umberto Benedetti Michelangeli | G Major | 4 | 9B | 100 BPM | ||
| Die Fledermaus, Act I: No. 4, Trio. So muss allein ich bleiben | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | F Major | 5 | 7B | 103 BPM | ||
| Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
| Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Erlöst, befreit, für alle Zeit!" [Gingerbread Children, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM |