Giuseppe Torelli, Simon Standage, Collegium Musicum 90, Catherine Weiss's ' "Concerto for Two Violins, Op. 8 No. 5: II. Adagio" was released on its scheduled release date, February 1, 2005. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Concerto for Two Violins, Op. 8 No. 5: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Torelli: Concertos". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto for Two Violins, Op. 8 No. 5: II. Adagio's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Concerto for Two Violins, Op. 8 No. 5: II. Adagio by Giuseppe Torelli, Simon Standage, Collegium Musicum 90, Catherine Weiss having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia Con due Trombe, (G. 21): I. Presto | Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt | A♭ Major | 3 | 4B | 141 BPM | ||
| Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
| Concerto Grosso in G Minor, Op. 1, No. 12: III. Sarabanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B Major | 2 | 1B | 181 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 4 | 3B | 106 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : IV. Vivace | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 105 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
| Trio in E-Flat Major, TWV 42:Es1: IV. Allegro | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | D Major | 3 | 10B | 100 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Concerto in F Major, S. 235: III. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 105 BPM | ||
| Oboe Concerto No. 1 in C Major: Allegro | Carlo Besozzi, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 2 | 8B | 120 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | ||
| Violin Sonata No. 6 in A Minor: II. Allegro | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Concerto grosso in A minor, Op.8, No.2 - Rev. Abbado: 2. Largo | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | E Major | 4 | 12B | 116 BPM | ||
| Concerto a cinque No. 11, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 4 | 11B | 107 BPM | ||
| Symphony in A Major, F. 27: II. Andante | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 150 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Concerto for two horns and strings in E flat major / Mi bémol majeur / Es-dur: II. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D Major | 3 | 10B | 125 BPM | ||
| Concerto in F Major, S. 234: II. Adagio | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 105 BPM | ||
| Flute Concerto in G Major, RV 435, Op. 10 No. 4: I. Allegro | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 105 BPM |