Mathew Rosenblum, Maggie Lane, Stephen L. Mosko's 'Maggies' had a release date set for January 1, 2007. This song appears to be safe for all ages as it is not explicit. The track order of this song in Mathew Rosenblum, Prism Players, Brad Lubman's "Matthew Rosenblum: Ancient Eyes" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Maggies is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maggies by Mathew Rosenblum, Maggie Lane, Stephen L. Mosko to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | E Minor | 0 | 9A | 72 BPM | ||
| Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
| Takemitsu: Romance | Toru Takemitsu, Kenji Miura | B♭ Major | 1 | 6B | 102 BPM | ||
| Throat | Mathew Rosenblum, Jean Danton, Tom Kolor | C Major | 2 | 8B | 85 BPM | ||
| undae | Christian Amstätter, Federspiel | E Minor | 0 | 9A | 72 BPM | ||
| Strange Humors | H2 Quartet, Jon Weber, John Mackey | D Major | 3 | 10B | 121 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E Minor | 0 | 9A | 72 BPM | ||
| Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Le Tombeau de Couperin: Prélude. Vif | Maurice Ravel, Andrew Litton, Branford Marsalis, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
| Bartók: String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso | Béla Bartók, Belcea Quartet | G Major | 2 | 9B | 98 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | E Minor | 0 | 9A | 72 BPM | ||
| Yonah’s Dream | Mathew Rosenblum, Various Artists, Dean Drummond | E♭ Major | 2 | 5B | 97 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Hommage à Manuel de Falla | Bela Kovacs, André Moisan | A Minor | 1 | 8A | 73 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Shadow | Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 88 BPM | ||
| Minipulsars, Pt. 1: Bing 1 | Tomasz Trzcinski | F Minor | 3 | 4A | 77 BPM | ||
| The Big Rip (A Science Fiction Cantata): I. Kam | Mathew Rosenblum, Various Artists | A♭ Minor | 0 | 1A | 130 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E Minor | 0 | 9A | 72 BPM |