P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: X. A Major' had a release date set for August 1, 1995. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: X. A Major's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Short-Tempered Clavier: X. A Major by P.D.Q.Bach, Christopher O'Riley having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): I. Passacaglia | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Never Bow | Laz Ukpo | E♭ Minor | 0 | 2A | 140 BPM | ||
| A nuestra patria | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 73 BPM | ||
| Streams Of Wealth & Lack | Danke Timi Briggs | B♭ Major | 2 | 6B | 147 BPM | ||
| Sonata da circo, S. 3 Ring: III. Smokski the Russian Bear | P.D.Q.Bach, David Robinson, Peter Schickele | D♭ Minor | 1 | 12A | 105 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| The Short-Tempered Clavier: VIII. G Minor | P.D.Q.Bach, Christopher O'Riley | G Minor | 0 | 6A | 142 BPM | ||
| Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| The Winter's Tale, Act I Scene 1: Leontes Confronts Polixenes | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | D♭ Minor | 3 | 12A | 144 BPM | ||
| La Traviata: Noi siamo Zingarelle | The Royal Wind Music | F Minor | 1 | 4A | 136 BPM | ||
| Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante | Carl Maria von Weber, Czech Philharmonic, Václav Neumann, Zdeněk Tylšar | E Major | 0 | 12B | 85 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Honor | Lautenor | D♭ Minor | 0 | 12A | 172 BPM | ||
| Pulcinella, K 034: III. Scherzino - Allegro - Andantino | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: II. Scherzo (Allegro - Molto meno Allegro) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | A Major | 0 | 11B | 88 BPM |