Strauss, R: Aus Italien, Op. 16: I. Auf der Campagna by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Song Details

"Strauss, R: Aus Italien, Op. 16: I. Auf der Campagna" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden had its release date on January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 103 in the song's album "Strauss: Complete Orchestral Works". In this album, this song's track order is #64. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Aus Italien, Op. 16: I. Auf der Campagna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Aus Italien, Op. 16: I. Auf der Campagna by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -16.823 dB
Acousticness: 95%
Danceability: 6%
Energy: 13%
Instrumentalness: 91%
Liveness: 12%
Loudness: 72%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Licht überm See (Live)	Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle	B Major	2	1B	132 BPM
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan"	Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	D♭ Major	1	3B	85 BPM
String Quartet No. 2 in D Major: III. Notturno: Andante	Alexander Borodin, Budapest Haydn Quartet	A Major	1	11B	89 BPM
Tríptico	Gabriel Andrés Gallegos	G Major	2	9B	140 BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"	Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker	E♭ Major	4	5B	80 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	F Major	3	7B	164 BPM
Vier letzte Lieder, TrV 296: 2. September	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D Major	1	10B	153 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam	Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra	F Major	1	7B	82 BPM
Pavane pour une infante défunte	Maurice Ravel, Richard Sebring, Boston Pops Orchestra, John Williams	G Major	1	9B	93 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	141 BPM
Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
Cäcilie, Op. 27 No. 2 (Version with Orchestra)	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	E♭ Minor	3	2A	97 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM
Elektra: Ii. Allein! Weh, ganz allein	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Götterdämmerung, WWV 86D, Prologue: Vorspiel	Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden	B Major	0	1B	69 BPM
The Music Makers, Op. 69: II. We Are the music makers	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	B♭ Minor	0	3A	79 BPM
Nabucco: Overture	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	F Major	2	7B	100 BPM
Ruhe, meine Seele, Op. 27 No. 1 (Version with Orchestra)	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D Minor	0	7A	90 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	104 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Minor	0	5A	101 BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato	Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding	D Major	2	10B	133 BPM
Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato	Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra	A Major	1	11B	146 BPM