Peter Kisch's ' "Gachi" was released on its scheduled release date, March 11, 2021. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Gachi and no other songs are present in the album, we classify this track as a single. Based on our statistics, Gachi's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gachi by Peter Kisch to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tudo está bem | Good Shepherd Studios | C Minor | 5 | 5A | 146 BPM | ||
| Hit song | Golger | B Minor | 8 | 10A | 183 BPM | ||
| BETWEEN THE SHEETS / COME AND TALK TO ME | TAKEDA & TETSUYA | B Minor | 8 | 10A | 183 BPM | ||
| a quiet day | Jonathan Sanson | G Minor | 7 | 6A | 166 BPM | ||
| Fool of Oz | Michael Lee | D♭ Minor | 3 | 12A | 115 BPM | ||
| Paper Label Love | JazzInk | F Minor | 7 | 4A | 106 BPM | ||
| Fool Around | Casey Russell | E♭ Major | 7 | 5B | 110 BPM | ||
| With a Little Help From my Friends | Voices Harmony | D♭ Major | 7 | 3B | 148 BPM | ||
| Noches de Puerto | Juan Andrés Morales | C Major | 5 | 8B | 170 BPM | ||
| Feeling Alright | Tony Gordon | G Minor | 5 | 6A | 91 BPM | ||
| Moonlight | Torsten Goods, jan SEVEN dettwyler | C Minor | 4 | 5A | 108 BPM | ||
| Sky For You Always | Keep Calm | A Major | 3 | 11B | 131 BPM | ||
| Signed, Sealed, Delivered | Peter Kisch | C Minor | 8 | 5A | 109 BPM | ||
| Two of Us | Dana Masters | D Major | 4 | 10B | 114 BPM | ||
| Friction | J.T. Lauritsen & The Buckshot Hunters | B♭ Major | 7 | 6B | 117 BPM | ||
| Walnut Bench | Sketches of Silence | F Minor | 6 | 4A | 100 BPM | ||
| Poor Man Blues | Antonio Orrico | B Minor | 8 | 10A | 183 BPM | ||
| Stay Right Here With Me | Sessions on the Green, Darius Lamar Brown | B Minor | 8 | 10A | 183 BPM | ||
| Woman's Gotta Have It | Mike Andersen | B♭ Major | 6 | 6B | 172 BPM | ||
| Take Me to the End of the World | Cut Davis | G Major | 5 | 9B | 111 BPM | ||
| Painted Dolls | Alex Nester | E Major | 4 | 12B | 102 BPM | ||
| One way ticket | SEB MACHADO | F♯ Major | 7 | 2B | 204 BPM | ||
| Black Hole Sun - 1950's Soul Version | The Classic Soul Choir | B Minor | 8 | 10A | 183 BPM | ||
| Numb - 1960's Motown Soul | Salen Records | D Minor | 8 | 7A | 120 BPM | ||
| Seven Days And Nights | Winta | B Minor | 8 | 10A | 183 BPM |