Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz's ' "Part I. Overture in E minor: VII. Gigue" was released on its scheduled release date, October 21, 2010. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Part I. Overture in E minor: VII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. In terms of popularity, Part I. Overture in E minor: VII. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Part I. Overture in E minor: VII. Gigue by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 69 in A Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 1 | 2B | 170 BPM | ||
| Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
| Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
| Flute Concerto in G Major, RV 435, Op. 10 No. 4: I. Allegro | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | D Major | 2 | 10B | 124 BPM | ||
| Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
| Les Indes Galantes - Tambourins I/II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Minor | 3 | 10A | 66 BPM | ||
| Concerto grosso No. 6 in F Major, Op. 6: I. Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | E Major | 2 | 12B | 95 BPM | ||
| Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | G Major | 2 | 9B | 115 BPM | ||
| Concerto Grosso in D Major, Op. 6 No. 5, HWV 323: IV. Largo | George Frideric Handel, Academy of Ancient Music, Andrew Manze | B♭ Minor | 0 | 3A | 84 BPM | ||
| Recorder Concerto No. 2 in A Major: I. Allegro | Robert Woodcock, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra | A♭ Major | 0 | 4B | 104 BPM | ||
| Suite No. 4 in D Major, BWV 1069: III. Gavotte | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 2 | 3B | 133 BPM | ||
| Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: II. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Minor | 2 | 10A | 181 BPM | ||
| Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| III. Largo | Francesco Barsanti, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | ||
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
| Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 1. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 3 | 11B | 128 BPM | ||
| Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
| Concerto Grosso in A Major, Op. 2, No. 6: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | A Major | 1 | 11B | 85 BPM |