"Time - From "Inception"" by London Music Works had its release date on May 30, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 23 in Film Music of Hans Zimmer Vol.2 by London Music Works, The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Time - From "Inception"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Time - From "Inception" by London Music Works is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sons of Odin | Patrick Doyle | F Major | 5 | 7B | 126 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| Harry & Grace Make Peace | Trevor Rabin | C Major | 1 | 8B | 74 BPM | ||
| Chevaliers De Sangreal - From The Da Vinci Code Original Motion Picture Soundtrack | Hans Zimmer, Richard Harvey | G Minor | 2 | 6A | 111 BPM | ||
| Genius | Luke Richards | F Minor | 3 | 4A | 129 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Jurassic Park: Suite | Royal Philharmonic Orchestra | B♭ Major | 3 | 6B | 152 BPM | ||
| Honoring the Dead | Marc Streitenfeld | G Minor | 3 | 6A | 87 BPM | ||
| Future King | Rupert Gregson-Williams, Lorne Balfe | B♭ Minor | 2 | 3A | 120 BPM | ||
| End Credits (from "Ahsoka") | London Music Works | E Minor | 2 | 9A | 120 BPM | ||
| Strobe / Flying Home - From "Kick-Ass" | Henry Jackman, John Murphy, London Music Works | A♭ Major | 3 | 4B | 82 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| The Greatest Story Never Told | Murray Gold | C Minor | 3 | 5A | 100 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Massacre - Canoes | Trevor Jones | D Major | 4 | 10B | 68 BPM | ||
| Mind Heist - From "Inception" | Zack Hemsey, London Music Works | A♭ Major | 3 | 4B | 92 BPM | ||
| Tiangong | Steven Price | D Minor | 3 | 7A | 122 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Magnificent Journey | Sound Adventures | F Minor | 3 | 4A | 141 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| Purity of Heart | Steve Jablonsky | G Minor | 4 | 6A | 118 BPM | ||
| No Time for Caution - From "Interstellar" | London Music Works | A Minor | 5 | 8A | 92 BPM | ||
| End of the Line | Henry Jackman | E Minor | 0 | 9A | 67 BPM |