"ベートーヴェン:交響曲第2番ニ長調 op.36-第2楽章" by NBC交響楽団 had its release date on October 16, 2021. This song appears to be safe for all ages as it is not explicit. There is only one song in 20世紀不滅の名演奏家 アルトゥーロ・トスカニーニ, so we believe that "ベートーヴェン:交響曲第2番ニ長調 op.36-第2楽章" is a single. Based on our statistics, ベートーヴェン:交響曲第2番ニ長調 op.36-第2楽章's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ベートーヴェン:交響曲第2番ニ長調 op.36-第2楽章 by NBC交響楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz Suite, Op. 110: III. Mephisto Waltz (From Lermontov) | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | D Minor | 0 | 7A | 117 BPM | ||
| Giselle: No. 22 - Allegro con moto | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | F Major | 0 | 7B | 82 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| Lohengrin: Prelude to Act 1 | Herbert von Karajan, Philharmonia Orchestra | A Major | 0 | 11B | 86 BPM | ||
| The Sleeping Beauty, Op. 66/66a: Act 1, No. 8, Adagio – Pas d’Action - Arr. for Orchestra by Santtu-Matias Rouvali | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E♭ Major | 1 | 5B | 109 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
| Han Solo and the Princess (From "Star Wars: Episode V - The Empire Strikes Back") | John Williams, Robert Ziegler, Slovak National Symphony Orchestra | E Major | 1 | 12B | 99 BPM | ||
| Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
| Symphony No. 3 in C minor 'Organ' Op. 78 (1989 Digital Remaster): II. Allegro moderato - | Camille Saint-Saëns, Christopher Robinson/City of Birmingham Symphony Orchestra/Louis Frémaux, Louis Frémaux, City Of Birmingham Symphony Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 3 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 100 BPM | ||
| Swan Lake Scene (Swan Theme) | The Regency House Orchestra | G Major | 3 | 9B | 93 BPM | ||
| Suite No. 1, P. 109: IV. Passo Mezzo E Mascherada: Allegro Vivo | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 2 | 10B | 137 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| Prologue And Main Title - From "Star Trek: The Search For Spock" Soundtrack | James Horner | G Major | 1 | 9B | 93 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| 4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Symphony No. 1 in D Major "Titan" in D Major: II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | B♭ Major | 4 | 6B | 124 BPM | ||
| Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
| Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
| 祝典序曲 | Dmitri Shostakovich, Karel Ančerl, Czech Philharmonic Chamber Orchestra | E♭ Major | 2 | 5B | 57 BPM |