- BPM
- 128
- Key
- C Minor
- Camelot
- 5A
Minnelied, Op. posth. by Johannes Brahms, Fritz Wunderlich Song Details
"Minnelied, Op. posth." by Johannes Brahms, Fritz Wunderlich had its release date on August 27, 2010. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Minnelied, Op. posth.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 46 in Fritz Wunderlich - Das Beste by Fritz Wunderlich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Minnelied, Op. posth.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Minnelied, Op. posth. by Johannes Brahms, Fritz Wunderlich is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.232 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 67%
- Loudness
- 71%
- Speechiness
- 7%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner | F Major | 0 | 7B | 173 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | 5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | |
 | Piano Concerto No.2 In F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | A♭ Major | 0 | 4B | 77 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | |
 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | B Minor | 1 | 10A | 106 BPM | |
 | Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | |
| 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 4 in B Minor (original in F Minor) | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | B Minor | 1 | 10A | 103 BPM | |
 | Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | |
 | Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | |
 | Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | |
 | Intermezzo Op. 76, No. 7 in A minor | Evgeny Kissin | A Minor | 0 | 8A | 70 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 174 BPM | |
 | Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM |
- ISRC
- DEE470700523
- Label
- L-M Records/RCA Records