The Rides's ' "Only Teardrops Fall" was released on its scheduled release date, January 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 10 in Can't Get Enough by The Rides. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Only Teardrops Fall is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Only Teardrops Fall by The Rides is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Times Have Changed | Ronnie Baker Brooks, Al Kapone | A Major | 8 | 11B | 87 BPM | ||
| Bad Blood | Bernie Marsden, Cherry Lee Mewis | F Minor | 8 | 4A | 117 BPM | ||
| Nothing to Hide | The Blues Mystery | G Major | 8 | 9B | 112 BPM | ||
| Blues for the Lost and Found | Julian Sas | F Major | 8 | 7B | 152 BPM | ||
| Blue Drops Of Rain | Corey Stevens | D♭ Major | 6 | 3B | 110 BPM | ||
| Watch What You Say | Devon Allman | A Minor | 7 | 8A | 97 BPM | ||
| I Didn't Try | Trampled Under Foot | B♭ Minor | 6 | 3A | 94 BPM | ||
| Time Might Never Come | Ben Poole | A♭ Minor | 3 | 1A | 120 BPM | ||
| Roadhouse | The Rides | G Major | 8 | 9B | 168 BPM | ||
| Game On | The Rides | F Major | 8 | 7B | 127 BPM | ||
| Blues for J | Julian Sas | D Minor | 5 | 7A | 86 BPM | ||
| What's It Gonna Be | Laurence Jones | B Minor | 8 | 10A | 111 BPM | ||
| Dead End Road | Buck69 | F Major | 8 | 7B | 102 BPM | ||
| Nonchalant | Tommy Castro, The Painkillers | C Major | 8 | 8B | 106 BPM | ||
| Do You Still See Me At All | Walter Trout, Jon Trout | F Minor | 8 | 4A | 114 BPM | ||
| Butterfly Girl | Devon Allman | B♭ Major | 6 | 6B | 154 BPM | ||
| Blues Prisoner | Tommy Castro | G Minor | 6 | 6A | 154 BPM | ||
| Two Go Down | Trampled Under Foot | E Major | 6 | 12B | 112 BPM | ||
| We Cry | Xander and the Peace Pirates | D Major | 7 | 10B | 122 BPM | ||
| I'm Going Home | Danielle Nicole | B♭ Minor | 5 | 3A | 84 BPM | ||
| Blackest Day | Joanne Shaw Taylor | F♯ Minor | 5 | 11A | 144 BPM | ||
| Evening Shadows | Ana Popovic, Milton Popovic | A Minor | 7 | 8A | 126 BPM | ||
| Love Gone to Waste | The Robert Cray Band | D Major | 5 | 10B | 91 BPM | ||
| (Won't Be) Coming Home | Robert Cray, The Robert Cray Band | D Minor | 8 | 7A | 89 BPM | ||
| Burning Flame | Bryce Janey | B Major | 5 | 1B | 106 BPM |