Mavis Rivers, Marty Paich, Van Alexander, Neal Hefti, Chuck Sagle, Jack Sheldon, Bud Shank, Stu Williamson, Bill Perkins, Shorty Rogers's ' "The Best Is yet to Come" was released on its scheduled release date, September 2, 2013. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Best Is yet to Come's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mavis Rivers's "Mavis Rivers. The Complete Reprise Years 1961-1962. "Mavis," "Swing Along with Mavis" And "Mavis Meets Shorty" Plus Four Bonus Tracks from Singles" album is number 16 out of 39. Based on our statistics, The Best Is yet to Come's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Best Is yet to Come by Mavis Rivers, Marty Paich, Van Alexander, Neal Hefti, Chuck Sagle, Jack Sheldon, Bud Shank, Stu Williamson, Bill Perkins, Shorty Rogers to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When the Wind Was Green [Explicit] | Chris Connor | F Minor | 3 | 4A | 107 BPM | ||
| Autumn Nocturn | Claude Thornhill | C Major | 2 | 8B | 75 BPM | ||
| Shine On Harvest Moon - Version 1 | Bing Crosby, Rosemary Clooney | A♭ Major | 1 | 4B | 84 BPM | ||
| A Stranger In Town | Martha Tilton, Eddie Miller | A♭ Major | 1 | 4B | 75 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| I'm Looking Over A Four Leaf Clover / Baby Face | Al Jolson | F Major | 3 | 7B | 136 BPM | ||
| Roses In December (06-25-37) | Bunny Berigan | G Minor | 1 | 6A | 127 BPM | ||
| Josephine | Russ Morgan and His Orchestra | G Major | 3 | 9B | 115 BPM | ||
| No Love, No Nothin' | Ella Mae Morse | F Minor | 3 | 4A | 107 BPM | ||
| What Becomes of Christmas | Max Showalter, Signe Hasso, Otto Stenzel | F Major | 2 | 7B | 126 BPM | ||
| Oh! What It Seemed to Me | Frankie Carle | F Minor | 3 | 4A | 107 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| Swingin' At The Sugar Bowl | Bob Crosby & His Orchestra | E♭ Major | 5 | 5B | 92 BPM | ||
| I Ain't Talkin Though It's All over Town | Pearl Bailey | F Minor | 1 | 4A | 106 BPM | ||
| Ava Maria | Dick Haymes | F Major | 3 | 7B | 119 BPM | ||
| You Forgot Your Gloves | Jeri Southern | F Major | 1 | 7B | 139 BPM | ||
| Dreamer's Holiday | Les Brown & His Orchestra, Lucy Ann Polk | G Major | 2 | 9B | 82 BPM | ||
| Winter Soon Be Over, Children | The Blue Chips | C Major | 4 | 8B | 184 BPM | ||
| A Nightingale Sang In Berkeley Square | Mel Tormé, Wally Stott & His Orchestra | F Minor | 1 | 4A | 79 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| A Cozy Winter Scene: Oldies and Snowfall Set the Mood | Oldies Playing in another room | F Major | 1 | 7B | 67 BPM | ||
| In the Cool, Cool, Cool of the Evening | Frankie Carle | F Minor | 3 | 4A | 107 BPM | ||
| Coffee and cakes | Una Mae Carlisle | E♭ Major | 7 | 5B | 80 BPM | ||
| P.S. - I Love You | Rudy Vallee and His Connecticut Yankees | F Minor | 3 | 4A | 107 BPM | ||
| Constantly - Single Version | Bing Crosby | D Minor | 2 | 7A | 114 BPM |