"How Could I Not?" by Tom Rosenthal had its release date on April 13, 2015. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 16 in Bolu by Tom Rosenthal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of How Could I Not? is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of How Could I Not? by Tom Rosenthal is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Good Luck, Babe! | Edith Whiskers | F♯ Major | 2 | 2B | 88 BPM | ||
| P.A.S.T.A | Tom Rosenthal | F Major | 2 | 7B | 99 BPM | ||
| Gold On The Leaves | Luluc | A Major | 2 | 11B | 113 BPM | ||
| hollow crown - demo | isaac gracie | E♭ Major | 1 | 5B | 136 BPM | ||
| Past Hound | Adam Melchor | C Major | 4 | 8B | 108 BPM | ||
| Dancefloor | Mary Glenn | F♯ Major | 0 | 2B | 122 BPM | ||
| The Thick and the Thin | Imaginary Future | F Major | 2 | 7B | 104 BPM | ||
| Paper Thin Hotel | Matt Maltese | C Major | 1 | 8B | 124 BPM | ||
| Just As | Tom Rosenthal | E♭ Major | 0 | 5B | 169 BPM | ||
| Slow Paddle | Yellow Ostrich | E Major | 5 | 12B | 185 BPM | ||
| it's still you. | Field Medic | F♯ Major | 3 | 2B | 108 BPM | ||
| Flecks | These Brittle Bones | E Major | 2 | 12B | 160 BPM | ||
| 1914 | Florist | G Major | 2 | 9B | 127 BPM | ||
| Lazy Beds - Middle Ridge Studio Session | Winter Aid | A Major | 5 | 11B | 105 BPM | ||
| Bittersweet Genesis for Him AND Her | Kishi Bashi | B♭ Major | 3 | 6B | 150 BPM | ||
| Killing Me | Luke Sital-Singh | A Major | 2 | 11B | 135 BPM | ||
| Lung | Vancouver Sleep Clinic | A♭ Minor | 4 | 1A | 65 BPM | ||
| How the Heroine Dies | The Barr Brothers | B♭ Major | 2 | 6B | 82 BPM | ||
| Dinner for Breakfast | Jasmine Kennedy | G Major | 1 | 9B | 95 BPM | ||
| Chiaroscuro | Typhoon | G Major | 7 | 9B | 97 BPM | ||
| Teeth | Billie Marten | C Major | 1 | 8B | 133 BPM | ||
| Hurt for Me | SYML | C Major | 2 | 8B | 167 BPM | ||
| Alpenglow | S. Carey | F Minor | 3 | 4A | 128 BPM | ||
| Backseat | Bryan John Appleby | E Major | 3 | 12B | 145 BPM | ||
| Follow You Down To The Red Oak Tree | James Vincent McMorrow | E Minor | 3 | 9A | 103 BPM |