Norfolk Rhapsody No. 1 in E minor by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth Song Details

"Norfolk Rhapsody No. 1 in E minor" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth had its release date on January 1, 1994. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis/The Lark Ascending etc. by Ralph Vaughan Williams, Hagai Shaham, New Queen's Hall Orchestra, Barry Wordsworth. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Norfolk Rhapsody No. 1 in E minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Norfolk Rhapsody No. 1 in E minor by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Norfolk Rhapsody No. 1 in E minor being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 25%
Loudness: -25.837 dB
Acousticness: 92%
Danceability: 8%
Energy: 4%
Instrumentalness: 67%
Liveness: 32%
Loudness: 57%
Speechiness: 4%
Valence: 4%

Recommendations

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Symphony No. 4 in D Minor: II. Andante cantabile	Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin	B♭ Major	0	6B	63 BPM
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String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante	Felix Mendelssohn, English String Orchestra, William Boughton	G Major	0	9B	83 BPM
Serenade for Strings in E Minor, Op. 20: 1. Allegro piacevole	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	83 BPM
Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto	Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra	B♭ Major	2	6B	106 BPM
Sospiri, Op. 70	Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin	F Major	0	7B	113 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Symphony No. 5 in D Major: III. Romanza: Lento	Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels	D♭ Minor	1	12A	92 BPM
Suite No. 1, Op. 13: III. Nocturne	New Zealand Symphony Orchestra, Jules Massenet	A♭ Major	0	4B	85 BPM
V. Pieds-en-l'air	Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt	G Major	0	9B	85 BPM
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Danses for Harp & Strings, L. 103: Danse profane	Claude Debussy, Xavier De Maistre, Wiener Philharmoniker	D Major	1	10B	113 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	0	9B	76 BPM
Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale	Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam	A♭ Major	0	4B	94 BPM
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	F Major	1	7B	90 BPM
L'Horloge de Flore: 3h - Galant de jour	Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius	A Minor	1	8A	90 BPM
Mississippi, "A Journey in Tones": III Old Creole Days	Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg	A♭ Major	0	4B	98 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM