"Ich liebe dich, nur dich allein" by Rudolf Schock had its release date on February 28, 2023. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 3". In this album, this song's track order is #11. Ich liebe dich, nur dich allein is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich liebe dich, nur dich allein by Rudolf Schock having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Auf Der Heide Blüh'n Die Letzten Rosen | Willy Schneider | D♭ Major | 3 | 3B | 113 BPM | ||
| Komm in die Gondel (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 72 BPM | ||
| Der Zarewitsch: Allein! Wieder allein - Es steht ein Soldat am Wolgastrand | Franz Lehár, Robert Stolz | G Major | 2 | 9B | 165 BPM | ||
| Annchen von Tharau | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | E Major | 1 | 12B | 134 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | ||
| Heideröslein | Friedel Hensch & Die Cyprys | F Major | 3 | 7B | 123 BPM | ||
| O Rosemarie, ich lieb' dich | Rudolf Schock | F Minor | 3 | 4A | 86 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| So ein Tag so wunderschön wie heute | Mainzer Hofsänger | F Major | 2 | 7B | 71 BPM | ||
| Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | ||
| Girls were Made to Love and Kiss | Richard Tauber, Franz Lehár | E♭ Major | 2 | 5B | 80 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: A lanyok, lanyok, a lanyok angyalok [Feri, Boni, Chorus] | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 5 | 10B | 96 BPM | ||
| Gounod: Faust, Act 5: Trio-finale. "Alerte, alerte, ou vous êtes perdus" - Apothéose. "Sauvée ! Christ est ressuscité" (Méphistophélès, Marguerite, Faust, Chœur) | Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
| Weißt du, wieviel Sterne stehen? | Werner Hollweg | F♯ Major | 3 | 2B | 165 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Passione | Nicola Valente, Ernesto Tagliaferri, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | A Major | 2 | 11B | 169 BPM | ||
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
| Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Die Rose erblüht, wenn Sonne sie küßt | Rudolf Schock | G Major | 5 | 9B | 119 BPM | ||
| So ein Tag | Mainzer Hofsänger | F Major | 2 | 7B | 73 BPM |